Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
Mother Maker Lover Taker 2024 - Movies (Jan 27th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
Weekend in Taipei 2024 - Movies (Jan 27th)
September 5 2024 - Movies (Jan 26th)
Mummy Shark 2024 - Movies (Jan 26th)
Vermiglio 2024 - Movies (Jan 26th)
Companion 2025 - Movies (Jan 26th)
Vampire Genesis 2024 - Movies (Jan 26th)
A Haunting in Council House 2024 - Movies (Jan 26th)
Agent Recon 2024 - Movies (Jan 26th)
Get Fast 2024 - Movies (Jan 26th)
Emmanuelle 2024 - Movies (Jan 25th)
Bystanders 2024 - Movies (Jan 25th)
The Killers Game 2024 - Movies (Jan 25th)
Inheritance 2024 - Movies (Jan 25th)
The Intruder 2024 - Movies (Jan 25th)
Oh Canada 2024 - Movies (Jan 24th)
The Loneliest Road 2024 - Movies (Jan 24th)
Andrea Mitchell Reports - (Jan 27th)
Tribunal Justice - (Jan 27th)
Open House NYC - (Jan 27th)
Hamster and Gretel - (Jan 27th)
Perfect Match - (Jan 27th)
Room to Improve - (Jan 27th)
Baddies Midwest - (Jan 27th)
Joselines Cabaret Texas - (Jan 27th)
The Chase Australia - (Jan 27th)
Married at First Sight UK - (Jan 27th)
Watch What Happens Live with Andy Cohen - (Jan 27th)
Countryfile - (Jan 27th)
Die Pflegionärin - (Jan 27th)
Lakefront Luxury - (Jan 27th)
Lidias Kitchen - (Jan 27th)
Darby and Joan - (Jan 27th)
Tipping Point Australia - (Jan 27th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Ella Gledining presents us here with an emotionally charged documentary that follows her search for people with a similar disability to herself. She has a rare bone disorder which essentially means that she has bones missing from her legs. Aside from some fairly tortuous surgery when she would have been young, followed by some prosthetics, she was destined to remain smaller but otherwise just as intellectually capable, vibrant and ambitious as anyone else. We follow her determination to have a family (with the sparingly featured Scott) and then her own quest to use the internet to find others with whom she can share experiences, chat and perhaps bond. Glendining is an engaging lady who seems very much from the glass half full school of philosophy. Even when clearly exhausted - mentally and physically, she retains an optimism that together with their young son River seems to help sustain her when the black clouds loom. As ever, though, with one person filmmaking, it's not always the most objective of analysis about much of the rest of the population whom she routinely defines as "ableist". Her assertions that society suffers from this flaw is fairly flawed in itself. What is society? It isn't just some sort of concrete jigsaw puzzle into which her tiny piece uncomfortably fits. It's a myriad of different people, personalities, abilities, attitudes - and not many, I suspect, are actually as hostile or indifferent to those less able as she seems to think. "The world is better with the disabled in it"? Well who would argue? What is a disability anyway? Broader society is riddled with racism, homophobia, intolerances and we all live in a sort of Venn diagram model style of overlapping circles with each allowing for the differing aspects of human nature regardless as to how or if people may choose to compartmentalise themselves. Clearly this lady hasn't had a straightforward time, but she can come across as just a little inclined to paint everyone else with the same brush. A "normal" life is an entirely subjective term and what's great to see here is that she seems focussed on ensuring that her family have exactly that - work notwithstanding - and she presents us with an interesting look at just how she intends to live life to the full. Not perfect, but worth ninety minutes.
Widely considered an important milestone in Indian Architectural history, the Kanade brothers are a testimony of how life and work can coexist with honesty as the fundamental driving factor. The film ‘Kanade’ gives an insight into the journey and experiences of Shankar & Navnath Kanade as architects and teachers.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
When the lights dim and the stage is revealed, Meschke channels life through the strings of his puppets, triggering the spiritual connection between the creator and his alter-egos: the charismatic Don Quixote, the loving Penelope, the inquisitive Baptiste, or the mysterious Antigone. THE MAN WHO MADE ANGELS FLY is a poetic story about a master of his craft that has inspired audiences to reflect upon common issues of suffering and the mortal coil. Visionary and un-biographic, imaginary tribute to the puppeteer.
A documentary exploring the life of a man with multiple disabilities, as he discusses his approach to sexuality and romance; focusing on his desire for a genuine partner, as opposed to a carer, a martyr or somebody "doing him a favour".
Brilliantly mixing animated sequences and archival footage, Marie-Josée Saint-Pierre paints a touching portrait of virtuoso pianist Oscar Peterson.
On the heels of a tragedy and the COVID-19 pandemic, a Dallas-based theatre troupe comprised of people with intellectual and developmental disabilities are determined to write, rehearse, and perform their 11th annual original musical.
The director's grandfather is a blind fortune teller and his father a real-estate owner. They have grievances against each other for dismantling the old house. Grandfather thinks it's time for him to leave and asks Father to quit his job. At the same time, an accident happens at Father's construction site. They are entangled in dealing with the hatred from the past and the kinship that has always existed.
How do you find your place in an ableist world as a person with a disability? Disabled Hugo Schmidt talks to the almost 90 year old Franz-Josef Sauer, who was left with a walking impairment by a tuberculosis infection in his childhood. In the 1990s Sauer received the German Federal Cross of Merit for his achievements in the disabled community. As a public servant in Münster and Düsseldorf he worked on several projects which still benefit his disabled peers. Sauer and Schmidt discover that, although they were born almost 70 years apart, their paths in life are not that different from each other.
When Ines died, she left a very particular legacy, 10 books that read 'For my children'; it was the story of her life. Marked by a youth idyllic love, Ines was forced to marry a violent and womanizer man with whom she had 20 children. In the 50s, she managed to get divorce and 20 years after her death, Luisa, great-granddaughter of INES, reads, rescues and makes visible her history.
A portrait of the Larrieu brothers at work shot during the post-production of their film Tralala.