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It’s frustrating to watch a much-anticipated movie that doesn’t quite live up to expectations. Such is the case with writer-director Cord Jefferson’s debut feature. The problem here is that the film tries to tell two stories in one picture, one that it does brilliantly and one that could use some serious trimming, because the inclusion of its segments interrupts the flow every time it comes up during the course of the narrative. This tale of a talented but commercially unsuccessful African-American author (Jeffrey Wright) laments the success of a younger peer (Issa Rae) who writes a best-selling “Black” book that he sees as little more than market-pandering rubbish. However, in response, when he does the same under a pseudonym as a means of protest, he becomes an overnight sensation for all of the artistic and readership considerations that he personally despises. He now has to ask himself how can live with that kind of success, especially when the title becomes a runaway juggernaut. As he struggles with this, he’s also faced with a family drama with the death of a relative, managing the future of care for his Alzheimer’s-afflicted mother (Leslie Uggams) and a ne’er-do-well, self-centered sibling who’s reluctant to help out (Sterling K. Brown). Unfortunately, the domestic story thread is overlong and tends to bog down the satirical social commentary/personal integrity aspects of the picture, which are really strong enough to stand on their own and should have been given wider play (fault the screenplay here). Despite its shortcomings, however, “American Fiction” definitely deserves kudos for the performances of its ensemble cast, especially Wright, who turns in his best work here and has garnered a number of awards season nominations already, with more undoubtedly to come. In all, though, this feels like an offering that’s half-baked for what it serves up, which is regrettable, given that, with some shoring up in the writing, this easily could have become a modern screen classic.
Jeffrey Wright is great in this satirical look at all things hypocritical and exploitative surrounding "blackness" in the USA. "Monk" is the short-tempered writer-cum-lecturer whose behaviour gets him put on indefinite leave by his university and sent to Boston! That's where his family live and where we get our first introduction to his sister "Lisa" (Tracee Ellis Ross). Now she's got the measure of her curmudgeonly brother and as they spar we start to see elements of his deeply-buried humanity emerge. Maybe he's not the man we first thought, and that depth of character becomes more evident as we meet his mother whose Alzheimers is causing confusion and distress. A tragedy strikes which forces "Monk" to re-address his own life choices, his relationship with his recently gay brother "Cliff" (Sterling K. Brown) and of his need to raise the almost $7,000 per month it will cost to ensure the best care for their ailing parent. His latest attempt at getting published failed. His agent "Arthur" (John Ortiz) telling him that his books just weren't black enough. He must be more like "Sintara" (Issa Rae) who writes books about 'real' African American people and their stereotypical ghetto language and experiences. He loathes the very essence of stuff like this, and so - in a fit of pique - cobbles together a novel called "Pafology" which he disdainfully sends off. To his bemused disgust, he is offered a lucrative seven figure sum - useful for the medical bills - and then, even more to his chagrin he meets film producer "Wiley" (Adam Brody) who wants to pay through the nose for the screen rights! Conflicted or what? He needs to look after his mother but his principles are abhorred by what he sees as a selling out. This scenario is only made the more ridiculous when he is asked to judge a prestigious literary award - and his now renamed best-seller is nominated! Cord Jefferson uses the brother's storyline as an engaging diversion - a broke plastic surgeon recently divorced and coming to his homosexuality late, but enthusiastically, in life. There's also his neighbour "Coraline" (Erika Alexander) to whom he takes a reciprocated shine - but can he make that work? It's genuinely laugh out loud at times as we see the frustrations of this man play out. It swipes at the superciliousness of an industry that is essentially not about culture or tradition: it's all about money and perception. The shallow things he despises. Will he come clean? Can he actually grow up a bit, too? Well that's skilfully dealt with in the gem of an ending! This is a cleverly conducted and innovative film that provokes thought and laughter in equal measure and showcases a talented ensemble effort well.
This movie was decent.
Great movie! This only solidifies my desire to view more, if not all, of Jeffrey Wright's filmography, such a fantastic actor to watch. In this he is no different, he is outstanding all the way through. Not that he is by any means the only strong performer, because Sterling K. Brown is also superb. Tracee Ellis Ross and Leslie Uggams impress, too. There are a range of emotions to be felt throughout, the film entwines humour into events supremely well - it's much more amusing than I was expecting, especially given what happens early on. The latter is part of the sadness that constantly rears its head as well. No matter what, though, it is all seamlessly put together onscreen. One scene in particular actually had me welling up, which is extremely rare for me; mentioned it before, unimportant long story short: I can't help but look at movies as fiction, so my brain just doesn't associate real physical emotions with films. Anyway, the scene is with Cliff (Brown) and Lorraine (Myra Lucretia Taylor). Proper touching! Every now and then a film manages to break through! Probably a character flaw and all that but it is what it is. Fwiw, proof of the rarity is that the only other time I remember a film making me well up for real was, randomly, 2014's 'Two Days, One Night' a few years back with an (relatively) equally non-major scene with Timur Magomedgadzhiev. 2022's 'The Whale' did come very close, mind! Back on track... I remember hearing positives about 'American Fiction' when it came out and thankfully it delivered; 'twas unfortunate that it didn't line-up with me to watch it at the cinema on release, though. But hey, I belatedly have it logged. A quality picture!
James is still in love with his ex-wife Barbara and has one last chance to win her back. While his friends and parents try to help, they're dealing with their own complicated love lives. But, in a crazy world, love is the only thing that makes sense.
Lidia must face the allegations and consequences unleashed by the accusations of sexual abuse committed by her father long ago when he held an important position in the politics of the country.
Based on the short story of the same name by Miguel Barnet, in which Fatima - the Queen of the night, a young homosexual and transvestite, who is a prostitute to earn a living, and to maintain economically to the man whom he loves. While facing all the complexities arising from their decisions. Born in the provinces as Manuel García, nicknamed Manolito, to whom the Virgin of Fátima appeared as a child moves to the capital Havana where he meets and falls in love with Vaselina, who encourages him to cross-dress and start a new life in the world of entertainment and prostitution.
A close-knit group of gay friends share the emotional roller coster of life, relationships, the death of friends, new beginnings, jealousy, fatherhood and professional success. At various stages of life's disarray, these young men share humorous and tragic relationships and always have each other to rely on.
Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl Rio's place after Billy is shot.
A young but bright former window cleaner rises to the top of his company by following the advice of a book about ruthless advancement in business.
Gifted Hands: The Ben Carson Story is a movie based on the life story of world-renowned neurosurgeon Ben Carson from 1961 to 1987.
Two estranged brothers, who could not be more different from one another, choose different paths in life and are eventually reunited by an unexpected twist of fate.
Azi and Dex are both vying to be their batch valedictorian but Dex is always behind Azi. He then plans to make her fall in love to be a distraction, but his plan is a double-edged sword.
A talented mechanic and driver, Migs quickly finds success when a customer he likes, Gabbi, leads him into the life of street car racing. But as he goes along this life and learns of Gabbi’s past, Migs makes rash decisions that might put the brakes on their relationship.