The Wall Crawler: The Verticle Adventures of Alain Robert

A gifted student, Annie Girardot thought for a while of becoming a nurse, before passing the entrance exam to the Conservatory. She leaves with two first prizes in comedy. In the theater she triumphed in "The Typewriter" by Jean Cocteau. It was Cocteau who made her cut her hair to adopt his famous short cut. The cinema opened its doors and she turned with Pierre Fresnay, then with Jean Gabin, in "Le rouge est mis" by Gilles Grangier. The Comédie-Française then asked her to make a choice. It would be the cinema.

Produced over four years with full access from Ken’s widow Lady Dodd, the film takes an in-depth look into Doddy’s private world, exploring the many secrets of his comic talent, revealing never-before-seen home-videos, stage performances and extracts from some of the thousands of Ken’s diary notebooks which he’d asked his wife to burn after his death. Wrestling with her conscience for quite some time, Lady Dodd, finally agrees with entertainment historians, museum curators and many of Ken’s admirers like Stephen K Amos, Harry Hill, Shaparak Khorsandi, Lee Mack, Paul O’Grady, Johnny Vegas, and Sir Ian McKellen to preserve Doddy’s notebooks for posterity. These stars explore their passion and memories of Ken in this candid, insightful film which takes you backstage behind the red curtain to reveal a far more intriguing man than the public or even his wife ever realised.

Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind - a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie's relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz's eyes, an ode to living a passionate life, that both honours him and preserves his memory.

With one of the most memorably stunning voices that has ever hit the airwaves, Linda Ronstadt burst onto the 1960s folk rock music scene in her early twenties.

Weaving together original film and photographic archives, A CLOUD NEVER DIES tells the story of a humble young Vietnamese monk and poet whose wisdom and compassion were forged in the suffering of war. In the face of violence, fear, and discrimination, Thích Nhất Hạnh’s courageous path of engaged action reveals how insight, community, and a deep aspiration to serve the world can offer hope, peace, and a way forward for millions.

Stephen H. Bogart narrates the rise to fame of his father, Humphrey Bogart through the use of film clips, written material and interviews of friends and co-workers.

Nina Caprez and Cédric Lachat are passionate climbers. A passion they share and pushed them to become professionals. They travel around the world in search of walls and cliffs of exception. In Spring 2014 they set up camp beneath one of the most difficult multi-pitch routes in the world – Orbayu (2000 meters). Orbayu is a large limestone tooth which rises above the natural park of Picos de Europa in Spain. This huge wall is among the most beautiful in the world. It’s a mixture of extreme difficulty (8c). But the major problem with this type of wall lies in the fact that weather changes are very fast: rain, low temperatures, wind, etc… The ascent of such walls demand unusual experience. Nina and Cédric document joy, fear, danger, but also the beauty of climbing in Orbayu.

Portrait of the Algerian singer and composer Kamal Hamadi (husband of the singer Noura). Performer, musician, conductor, lyricist, author and composer, he is considered today as the witness par excellence of Algerian artistic action of the 20th century. The film received the Golden Olivier for best documentary 2010 at the Tizi-Ouzou Amazigh Film Festival in Algeria.