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This movie is acceptable as 85 minutes of light entertainment but it really never rises above mediocrity. The plot is unimaginative with all the usual elements. Terrorist is transported by FBI on commercial flight, terrorist escapes with the help of an insider on the plane, our hero gets arrested by bungling cops who mistakes him for a bad guy and of course the obligatory jump off or on the plane while it is moving scenes. Yawn! Wesley Snipes performance is as good as one can expect of Wesley Snipes which of course does not help elevate the movie above mediocrity. The one character which stands above the rest is the master terrorist played by Bruce Payne. I quite liked his cool, insane style of portraying his character. There are a few semi-decent action scenes splattered around the movie which helps keeping the interest just above the I’ll-read-a-book-instead level. Otherwise the movie is an easily forgettable one. It is quite acceptable as 85 minutes of light entertainment but I would say that its relatively short length is one of its positive traits.
Wesley Snipes vs The Rane Of Terror. Or should that be our Pain at the Terror? Of all the Die Hard clones there have been, and there have been many! Passenger 57 may just be the worst. The story follows Wesley Snipes' airline security expert John Cutter, who whilst undertaking a flight to L.A. gets embroiled in a hostage takeover led by evil bad man with a troubled childhood, Charles Rane. Cue quips, kicks and death defying tricks as Cutter strikes one for the good guys. Kevin Hooks' film works well enough on a very basic actioner level, due in the main to Snipes. Snipes was six years away from his signature role in Blade, and for sure he is a bona fide action star. As evidenced here, he has the charisma and body motions to carry the film thru its turgid script. It's a script that smacks of the writers sitting round a table and suggesting they put Snipes in a number of tricky situations and used that as an excuse for him to beat the crappola out of everyone. Oh and lets not forget the forced love story waiting to happen as well. Ultimately it's just a lazy film that is the cash in that many realised it was upon its release. Bruce Payne manfully tries to make the unbalanced Charles Rane truly evil, but doesn't succeed. Liz Hurley, goddess of womanhood that she is, looks uncomfortable holding a gun, while leading lady Alex Datcher is hopelessly out of her depth. While the youthful looking Tom Sizemore and Bruce Greenwood also appear - but both are throwaway characters that you end up wishing we had had more of. Stanley Clarke's score is abysmal, it's the sort of score one expects to hear in a soft core porno movie - you know the kind where the protagonists are making love but they still have their underwear on! Yes that kind. Poor plotting, poor scripting and just about poor in technical execution. I don't ask much of the action genre, I really don't, but at least give the film some soul from which to entertain the popcorn masses. 3/10 for Snipes' fighting and Liz Hurley's legs.
A police chief in the war-torn streets of Los Angeles discovers that an extraterrestrial creature is hunting down residents - and that he is the next target.
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.