Shin Seiki Evangerion: Genesis 0:0’ - The Light from the Darkness

Juana, Mar, and Eduardo tell their stories of abuse.

A poor Sicilian family of moles has to emigrate to the United States. On their journey, they meet a fox who offers to help them.

Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.

Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.

Sink is set in Tomioka’s brightly coloured yet worn and grubby surreal world, where on this occasion we see commuter trains packed with deep sea divers reading pornography. Sealed off behind their protective shells from any real human contact, the commuters are clearly inspired by Tomioka’s experiences on Tokyo’s underground but perhaps represent everyone who shuts themselves away behind iPods, computers and books, afraid of real face-to-face human interaction.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

An intimate view of the panorama of African wildlife, giving a sense of what it is really like to be there, and in a dramatic climax makes a poignant plea for conservation. Filmed in Zaire, Kenya and Tanzania, the film takes the viewer from deep inside an anthill, to the majestic giraffes suckling their young. African storms, dung beetle ritual dances, duels for supremacy, feeding time, and playtime all end as the animals disappear one by one while the sound of a rifle shatters the existing magic of life. Winner of the Academy Award for Documentary Short Subject, 1976.

In a robotic society moved by the consumption of colorful mechanic members, an insecure gray robot faces the pressure to find the perfect piece for himself.