Le Cabanon par le Corbusier

An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.

Urban architecture as seen through the eyes of four female veterans in the field.

In this documentary, Marie-Claire Rubinstein reveals to us, through the testimonies of the inhabitants who live there, the architectural achievements of the French urban planner Fernand Pouillon in Algiers. In particular the vast complexes of hundreds of social housing units, including the most famous Diar E Saâd (1953), Diar El Mahçoul (1954) and Climat de France (1957). The historical context, during the war of independence is related by the historian Benjamin Stora and Nadir Boumaza. This documentary also evokes the personality of Fernand Pouillon in a post-colonial context.

What started as a simple tomb became over a 2,000 years history the universal seat of Christendom and is today one of the most visited museum in the world with invaluable collections of Arts, Manuscripts, Maps. Using spectacular 3D modelisation and CGI to give viewers as never before a true understanding of the history of this architectural masterpiece and its extensions, the film will also use animation to tell relevant historical events. This heritage site reveals new untold secrets with the help of historians deciphering the Vatican’s rich archives and manuscripts collection and following the restorations at work (newly discovered frescoes by Raphael) and recent excavations. A story where Religion, Politics, Arts and Science meet to assert religious authority and serve as a spiritual benchmark.

Making Dust is an essay film, a portrait of the demolition of Ireland's second largest Catholic Church, the Church of the Annunciation in Finglas West, Dublin. Understanding this moment as a 'rupture', the film maps an essay by architectural historian Ellen Rowley on to documentation of the building's dismantling. Featuring oral interviews recorded at the site of the demolition and in a nearby hairdressers, the film invites viewers to pause and reflect on this ending alongside the community of the building. The film is informed by Ultimology, and invites its audience to think about the life cycles of buildings and materials, how we mourn, what is sacred, how we gather, what we value and issues of sustainability in architecture.

There are houses, and then there’s Ricardo Bofill’s house: a brutalist former cement factory of epic proportions on the outskirts of Barcelona, Spain. A grandiose monument to industrial architecture in the Catalonian town of Sant Just Desvern, La Fabrica is a poetic and personal space that redefines the notion of the conventional home. “Nowadays we want everyone who comes through our door to feel comfortable, but that's not Bofill’s idea here,” says filmmaker Albert Moya, who directed latest installment of In Residence. “It goes much further, you connect with the space in a more spiritual way.” Rising above lush gardens that mask the grounds’ unglamorous roots, the eight remaining silos that once hosted an endless stream of workmen and heavy machinery now house both Bofill’s private life, and his award-winning architecture and urban design practice.

A native of the capital of Catalonia, the architect-urban planner, to whom we owe the Saint-Honoré market in Paris and the Donnelley Building in Chicago, speaks of Barcelona with infectious passion. "It's a unique city, difficult to understand with conventional diagrams, he explains, criss-crossing the main arteries of the city". It is an unfinished city, constantly changing, where everything has the charm of the unfinished". With a sharp eye, Ricardo Bofill observes and comments on volumes and scrolls. Standing, in the nave of the Sagrada Familia, arms outstretched, it pivots on itself as if to take in space. "You have to have your eyes wide open, move quietly, and at the same time remember what's behind. This is how we have the sense of space. Otherwise this art does not exist."

Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.

A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.

Constructing freestone buildings on the cheap, Pouillon made a name for himself at the end of the 1940s in Aix-en-Provence and Marseille, shaking up his peers who only dreamed of towers and concrete bars. In Algiers, until Independence, he built in record time thousands of homes for the poorest, real urban projects inspired by traditional forms. In the Paris region, to build comfortable buildings quickly and well, nestled in the greenery, he becomes a promoter: this too adventurous bet leads him to prison and retains his reputation. Not very explicit about this complex affair, but seduced by a contemporary architecture that combines technical inventiveness and ancient references, Christian Meunier films by multiplying the angles of view. Today's lively atmospheres are interspersed with archive footage, while Pouillon's writings are read off. Moved, his collaborators evoke a demanding and generous man, with an infectious passion.

Inaugurated in 1986 by François Mitterrand, a link between the Louvre and Pompidou, Orsay houses the largest collection of Impressionist art in the world. Project after project, the museum has been transformed to modernize and welcome more visitors, while preserving its historic character. Challenges taken up with each new project.