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NCIS- Sydney - (Feb 20th)
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Its nice to see Nicolas Cage in a film deserving of his talents. Arcadian is not an exceptional horror thriller but what it does do, is done competently enough to be deserving of praise. It has a serviceable story, that reminds me a little of "A Quiet Place" from 2018. The core premise is not quite the same but the monster effects are similar, as is the rural setting. The tension is ratcheted up nicely as the story progresses. As is always the case with what is essentially a survivalist horror, we know the creatures are going to get in but what happens next is, of course, the interesting part. Along the way we get to know the key characters, including Cages father figure. His effective absence part way through film and his return near the end, is a little disappointing but given this film has a coming of age component, its understandable. Acting is decent throughout and you can certainly relate to the plight of Cages little ad-hoc family. The creature effects work well enough too but somehow, they are just not all that creepy or especially menacing. This tends to rob the film of a real post apocalyptic horror vibe. I think revealing exactly what they are, early on, was a mistake too that took away any reveal/jump scare potential, from the film. All that said, Arcadian is in most respects a worthwhile watch that you should consider adding to your horror/thriller inventory. Definitely worth a look.
OK, so I know I shouldn't have, but I did quite enjoy this. There are some seriously menacing beasties about and so every night dad (Nicolas Cage) has to lock his two sons "Joseph" (Jaeden Martell) and "Thomas" (Maxwell Jenkins) and himself into their home and hope their fortifications hold until morning. No, I didn't say it was original, but it's quite well paced as the loved-up "Thomas" manages to get a bit too close to these nocturnal monsters which causes his father to get injured and requires "Joseph" - the brains of the family (who reminded me the entire time of Dan Radcliffe) to come up with some clever ruses to keep the whole lot of them alive. Cage barely features which is no bad thing here as the two boys and girlfriend "Charlotte" (Sadle Soverall) make a perfectly good job of keeping the thing moving along quickly and quite entertainingly for and hour and an half. The visual effects aren't the best, but the claustrophobic settings; the regular axe-wielding; a fair bit of burrowing and a the help of a chest freezer work fine. You'll never remember it, and quite what any of it has to do with Arcadia is anyone's guess, but for light and fluffy summer cinema, it works fine.
As a long-time fan of Nic Cage, I went into Arcadian with high expectations. The trailer was intriguing, hinting at a familiar story with potential for new and exciting directions. However, the film felt like two different movies in one. While I enjoyed both aspects separately, they didn't blend well together. The film starts with a grounded, realistic tone that sets up an engaging story. Nic Cage delivers a solid performance, immersing himself in a character that is both relatable and compelling. However, the narrative takes a sharp turn into absurdist territory, introducing elements that feel out of place in the established world. For example, the grounded scenes where Cage's character navigates personal challenges are suddenly juxtaposed with bizarre, otherworldly events that disrupt the film's coherence. The grounded part of the story focuses on Cage's character dealing with real-world issues, offering a nuanced exploration of his psyche. This segment is filled with strong character development and emotional depth. In contrast, the absurdist elements, featuring creatures that seem to belong in a different genre, clash with the film's initial tone. While it's possible to successfully combine grounded and absurdist elements in a film, Arcadian struggles to achieve this balance. The creatures introduced do not fit seamlessly into the world we are shown, leaving many questions unanswered. The lack of cohesion between the two parts of the story makes it difficult for the audience to stay engaged. The film raises intriguing questions about the nature of reality and perception but fails to provide satisfying answers or connections between the disparate elements. Despite its narrative shortcomings, Arcadian boasts solid acting and impressive cinematography. Nic Cage's performance is a highlight, bringing intensity and authenticity to his role. The cinematography enhances the film's atmosphere, capturing both the grounded and surreal elements with skill. Arcadian is a film with strong individual components that fail to coalesce into a unified whole. The acting and cinematography are commendable, but the disjointed narrative undermines the film's potential. To improve, a more seamless integration of the grounded and absurdist elements would be necessary, providing clearer connections and answers to the questions posed. Despite its flaws, the film offers moments of intrigue and is worth watching for fans of Nic Cage and experimental cinema.
Classic Cold War end credits. Wow. What a great movie. "It's not safe for you." Cute scene. Little whimper at the end. What a good boy! Breaks some standard bullshit. The above and the lack of a triangle. 10 second apocalypse game was a great idea. Neither needs be true. Both based in reality? Something fucked happened. Disney'd franchise this.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
Edward Wilson, the only witness to his father's suicide and member of the Skull and Bones Society while a student at Yale, is a morally upright young man who values honor and discretion, qualities that help him to be recruited for a career in the newly founded OSS. His dedication to his work does not come without a price though, leading him to sacrifice his ideals and eventually his family.
A teenage girl is captured by a giant mutated squid-like creature that appears from Seoul's Han River after toxic waste was dumped in it, prompting her family into a frantic search for her.
Sophie, a quiet and shy maid working for an upper-class French family, finds a friend in the energetic and uncompromising postmaster Jeanne, who encourages her to stand up against her bourgeois employers.
In October of 1994 three student filmmakers disappeared in the woods near Burkittsville, Maryland, while shooting a documentary. A year later their footage was found.
Lore Perseous's family was murdered as a part of the Agon, a divine hunt that occurs every seven years as punishment for a past rebellion by nine Greek gods, who are forced to walk the earth as mortals and be hunted. After years in hiding, Lore has to decide if she reenters the Agon to avenge her family’s death with the help of a childhood friend she thought was dead and Athena, one of the last of the original gods.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
Terrorists hijack a 747 inbound to Washington D.C., demanding the release of their imprisoned leader. Intelligence expert David Grant (Kurt Russell) suspects another reason and he is soon the reluctant member of a special assault team that is assigned to intercept the plane and hijackers.
Delos is a futuristic amusement park that features themed worlds—ancient Rome, Medieval times and the Old West—populated by human-like androids. After two patrons have a run-in with a menacing gunslinger in West World, the androids at Delos all begin to malfunction, causing havoc throughout the park.
Twenty years after his disappearance and while everyone believes him dead, Jacques returns home incognito under the name Laurent Dupas. He finds his wife Hélène, who has remarried Eric, a bank manager. They all look happy. But behind this idyllic family picture lies a mystery.