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The X-Rays (aka. The X-Ray Fiend) is another film from George Albert Smith. Smith directed The Haunted Castle, a remake of a George Melies film, earlier that year. The X-Rays shows us a young woman that gets confronted by an adoring older man. The older man flirts and blushes. Then an X-Ray camera floats in, or is attached to some figure in black, and presumably turns the couple inside out. Then they return to normal when the camera leaves. Fin. That is the entire short from beginning to end. It has no purpose or thought, the camera head man doesn't seem to return in this form to any other media. This was just an odd find that happened to fit rather nicely right after The Haunted Castle. The film takes advantage of an early “camera-trick,” the jump shot. The quick cut. The Quick Cut has actors stay in place when the director says “Cut!” They have to freeze every muscle in their body. Once something on the set has been changed the director resumes filming and the actors go about their actings. Usually surprised by the result of the cut. The finished product shows an article or sometimes a person disappearing or reappearing. This film is fun for the nostalgic factor and artistic quality. When the young couple is turned inside out they have some really cool costumes on. That is where the jump cut was used. For its time this was probably a really interesting and fun short. Kids on boardwalks all over have been pumping pennies into the Mutoscopes just to see this. I know I would have.
Aspiring filmmakers Mel Funn, Marty Eggs and Dom Bell go to a financially troubled studio with an idea for a silent movie. In an effort to make the movie more marketable, they attempt to recruit a number of big name stars to appear, while the studio's creditors attempt to thwart them.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.
During the course of his flirtation a driver's cab is used by a notorious robber who deposits his evil gains underneath the seat of the cab. The girl proves to be a detective in search of this man and mistakes the cab driver for the criminal. The horse, however, saves his master and brings the real guilty man into the courtroom just in time
Dress shop owner Madame Maxine employs two chimps to serve in her establishment. It goes about as well as you would expect!
Episode 11 of the series of 2-reel comedies “The Adventures and Emotions of Edgar Pomeroy”.
