Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Levels 2024 - Movies (Mar 4th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
Chris Jansing Reports - (Mar 6th)
Clean It, Fix It - (Mar 6th)
The Z-Suite - (Mar 6th)
Come Dine With Me- South Africa - (Mar 6th)
The Tucker Carlson Show - (Mar 6th)
Piers Morgan Uncensored - (Mar 6th)
Tour de Fred- Northern Ireland - (Mar 6th)
Paradis City - (Mar 6th)
Make It At Market - (Mar 6th)
Ancient Aliens - (Mar 6th)
The Nature of Things - (Mar 6th)
Family Feud Canada - (Mar 6th)
Four in a Bed - (Mar 6th)
Love Is Blind- Sweden - (Mar 6th)
Featuring exceptional access to Liverpool Football Club, this is the gripping inside story of the club’s 2019/20 Premier League winning season, set against the context of their global fan base waiting for 30 years of disappointment and near misses to come to an end.
Candace Parker takes a personal look at the past, present and future of Title IX and the drive for equality in sports.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Executive produced, conceived, directed by Larry Locke. An intermittently amusing look at the world of professional bowling is offered in Larry Locke's docu "Pin Gods," which interweaves the stories of three ambitious, if slightly bizarre, men.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
Fate was unfair to an entire generation of Ukrainian football players. Every season, the Ukrainian national team set one goal: to make it to the World Cup. Every season, the goal remained a dream. Until 2006.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.