Fencing

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Candace Parker takes a personal look at the past, present and future of Title IX and the drive for equality in sports.

Motocross stars Mike Metzger and Seth Enslow are among the many riders featured in this homage to their favorite sport. Background music is provided by such groups as White Zombie, the Offspring, Agent Orange, and Ministry. The stunts, tricks, and skits these riders perform take place in Florida, California, Nevada, and Brazil. Many of the rides include the types of jumps and other maneuvers that.

Featuring jaw-dropping freestyles, ridiculous cliff drops and incredible rail and jib tricks, director Sean Johnson's high-octane snowboarding video captures some of the most mind-blowing action ever caught on film

Having stood on the gold medal podium a record 8 times during one Olympic Games, Michael Phelps now stands alone as the the greatest Olympic champion in history. With exclusive interviews and commentary, Michael takes us on his personal journey to Olympic stardom. Includes all his races and special behind-the-scenes footage.

In this Pete Smith Specialty, cameraman Charles T. Trego films water skiing champion Preston Petersen, as he and two unnamed female skiers perform various tricks and feats of skill in their sport.

Documentary footage of the author and his two daughters at home.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A film about the expansion of the Central Line beyond Stratford.

The Games included many sports seen in Olympic competition, plus others-for example, pirautaqturniq, the Inuit skill of hitting an object with a ten meter-long sled dog whip. This film captures the all-out participation in the week-long events hosted by Whitehorse, capital of the Yukon, with competitors from all over the Arctic including Alaska, and with observers from the Soviet Union.