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Typewriter Terror and Hill Rolling Rumbles. Les yeux cernés (Marked Eyes) is directed by Robert Hossein and Hossein stars and co-writes the screenplay with Claude Desailly, André Tabet and Georges Tabet. Starring with Hossein are Michèle Morgan, Marie-France Pisier and François Patrice . Music is by André Hossein and cinematography by Jean Boffety. We open with the murder of a timber baron, the perpetrator is unseen by us, but spied by a pair of eyes peeping through the crack of a wooded slat. When said timber baron's estranged wife travels to the Austrian alps for his funeral, she begins to receive typewritten blackmail letters demanding money with a sinister angle . Choosing to put faith in Franz, a man she's just met, instead of Friedrich, the local police inspector, she is soon treading in fearful waters... From the off it should be noted that this kind of comes off as a softer blend of two Clouzot greats in Les diaboliques and Le Corbeau. The writing here is merely ok, a steady whodunit mystery with noirish overtones, the screenplay is only really saved by the denouement. However, where Hossein fails as a writer he doesn't as a director. Pic is full of smart camera ticks, low level shots, close and personal frames and fluid roams, while he rarely misses a chance for some noir visuals aided by Boffety's moody monochrome. The location is cold and isolated, which is perfect for the shady shenanigans unfolding, while André Hossein's (Robert's father) scores it in his customary schizophrenic way (supernatural, jolly, quirky and threatening plonks). Odd ball sequences such as the wonderfully sensual Pisier (excellent) rolling down a grassy hill, cheekily blend in with edgy scenes like classical beauty Morgan (trying hard with the weak script) navigating her way through a stoney labyrinth hunting the tappity tap of the typewriter that is tormenting her psyche. And with Hossein his usual solid as a rock noir protagonist self, there's a lot of technical goodness on show to enjoy. Plus there is of course some twisters to seal the deal. Robert Hossein is a Frenchman that lovers of film noir should be familiar with, his work in that style of film making is of considerable interest to fans of such fare. Les yeux cernés is not one of his highpoints, mind, but once again you get a picture that's strengths far outweigh its weaknesses. 7/10
Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary...
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
Two homicide detectives are on a desperate hunt for a serial killer whose crimes are based on the "seven deadly sins" in this dark and haunting film that takes viewers from the tortured remains of one victim to the next. The seasoned Det. Somerset researches each sin in an effort to get inside the killer's mind, while his novice partner, Mills, scoffs at his efforts to unravel the case.
The search for a child murderer drags a once-respected detective into an all-consuming obsession.
A woman moves into an apartment in Manhattan and learns that the previous tenant's life ended mysteriously after they fell from the balcony.
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.
Prot is a patient at a mental hospital who claims to be from a far away planet. His psychiatrist tries to help him, only to begin to doubt his own explanations.
After Silvia Broome, an interpreter at United Nations headquarters, overhears plans of an assassination, an American Secret Service agent is sent to investigate.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.