아리랑

Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.

Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.

Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…

Documentary film on the making of Mike Flanagan's Absentia. Interviews with cast and crew and behind-the-scenes.

Documentary feature about Czech director Jiří Menzel, featuring Menzel himself as well as Miloš Forman, Emir Kusturica, István Szabó and others.

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

A documentary film about cult director José María Zabalza. How he made pictures with very little money and was granted little recognition.

Billy Yeager is a musician, singer-songwriter, filmmaker, activist, humanitarian and an all around living breathing performance artist. He has written and recorded over 2600 songs, produced 6 films and been discovered many times by several well known artists, yet most of his works are extremely hard to find and are considered to be very valuable by serious collectors, but if it can't change the world, the artist wants no part of it. Turning his back on the music and film industries, Yeager retreats into the desert to make his films and create his music.

When David Lynch was making his film Blue Velvet, German filmmaker Peter Braatz was also on set, shooting documentary footage with a Super 8 film camera. Now, on Blue Velvet's 30th anniversary, Braatz presents his footage, along with still photographs, as a "meditation" on Lynch's work.

The Lark Ascending

Against a collage of excerpts that span thirty-four films, a filmmaker reflects on the community he has built over more then a decade of low-budget movie making in Oklahoma City.