Debbie Macomber’s Joyful Mrs. Miracle 2024 - Movies (Nov 29th)
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The Bridge 2024 - Movies (Nov 29th)
Once Upon a Christmas Wish 2024 - Movies (Nov 29th)
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The Chase Australia - (Nov 29th)
Dateline - (Nov 29th)
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Watch What Happens Live with Andy Cohen - (Nov 29th)
The Kelly Clarkson Show - (Nov 29th)
Deal or No Deal - (Nov 29th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
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Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
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Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Trunk - (Nov 29th)
How well do we understand the situations we find ourselves in? Most of us probably think we have a pretty good handle on them much of the time. But, when a gay, middle-aged Filipino college professor (Romnick Sarmenta) meets with one of his students (Elijah Canlas) whom he hasn’t seen for a while but toward whom he had shown preferential, nurturing treatment at one time, what starts out as a pleasant lunchtime reunion slowly turns into a series of troubling eye-opening revelations. Told through what seems like a seemingly innocent, somewhat innocuous conversation between the duo, writer-director Jun Robles Lana’s latest opens like a latter-day version of “My Dinner with Andre” (1981) but slowly turns unexpectedly dark and sinister, shedding a whole new light on the now-surprisingly deceptive opening act. As a result, what starts out as a seemingly harmless, slightly tedious encounter becomes engrossingly captivating as the true nature of each of the characters is revealed. The picture’s multilayered narrative grows ever more absorbing the further it plays out, showing us just how easily it can be for us to be deceived by circumstances, including in situations where we think we know the score but don’t. It also presents viewers with an intriguing look at how we can be mirrors of one another but never recognize the similarities until they’re squarely shoved in our face. (And who would have thought that watching two people eat a meal and talk could be so engaging?) “About Us But Not About Us” is a delicious little cinematic nugget that will likely leave audience members’ mouths agape by picture’s end, especially when looking back at how things start out and how they eventually wind up, putting a delightfully surprising spin on the film’s skillful incorporation of ambiguously cynical elements whose meanings don’t become fully apparent until the credits roll. Don’t be quick to give up on this one; it’s worth the wait to see what it delivers – and how well it does so.
Three compelling stories in one erotic experience. Yen Durano plays three different women in three titillating stories. In a collaboration of three directors: Roman Perez, Jr., Sigrid Polon, and Omar Deroca.
Sal, a hot single professor, moves across an auto service shop and rocks the world of young repairman Arnel. Ever since Sal came over to get her car fixed, Arnel's skilled hands have always been busy. But can he still fix the problems that come with it?
Story about a group of five macho dancers navigating their own lives and the women who would do anything to keep them by their side.
Rita, who finds herself alone when husband Ariel works abroad. They both find solace and sexual satisfaction in other people. When Ariel comes back, they both act like nothing happened. But will this keep their marriage from falling apart?
A music-mad 16-year-old outcast at a rugby-mad boarding school forms an unlikely friendship with his dashing new roommate.
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
Chile, 1970. During a night of heavy drinking, Jaime, a lonely 20-year-old young man, is sentenced to prison. There, he meets “The Stallion”, an older and respected man in whom he finds protection, and from whom he learns about love and loyalty. But as their relationship grows stronger, “The Stallion” faces the violent power struggles within the prison.
The unexpected arrival of a Nigerian migrant in the Belgian countryside shakes up the fragile daily life of two men living a secret relationship.
Based on the life of pioneering manga artist Shinichi Abe, "Miyoko asagaya kibun" starts from the 1970's in Asagaya District of Tokyo where Shinichi Abe began his career with then model girlfriend Miyoko.
Set within the aftershocks of South Africa’s Apartheid, a gay farmhand writes letters to his lover.