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It’s frustrating to watch a film that’s ostensibly headed along a particular trajectory but that continually stumbles on the path it takes to get there. That’s precisely what happens in this period piece coming out/coming of age story set in 1938 Italy. Writer-director Laura Luchetti’s adaptation of Cesare Pavese’s 1949 novel about an impressionable 17-year-old dressmaker (Yile Yara Vianello) who becomes romantically infatuated with an artist’s model (Deva Cassel) takes its own sweet time (and plenty of overlong detours) in making its way toward a seemingly foregone conclusion. But, even when this offering apparently approaches that destination, it takes yet another unexpected left-field turn and subsequently leads to what the filmmaker herself admits is a deliberately ambiguous conclusion. Consequently, this is the kind of movie that’s likely to leave many viewers scratching their head and asking, “What’s the point of all this?” The picture is allegedly intended to address a subject that was considered taboo at the time of the story’s setting and of the book’s writing, but that objective isn’t fulfilled nearly as clearly as it might have been. As a result, whatever lofty intentions might have been behind the initiation of this production, they’re decidedly obscured in the final cut. There are also some passing references to the fascist sociopolitical conditions of the time (elements not included in the source material), but they’re never developed much, making their inclusion look like throwaway afterthoughts. To its credit, “The Beautiful Summer” has some fine cinematography, well-chosen location settings showcasing the beauty of Turin and a stirring soundtrack, but, if these attributes are the best that one can say about the film, that’s not saying much about the picture overall. Luchetti’s third feature outing truly needs ample retooling to make it work, because, as it stands, it doesn’t.
Halim has been married to Mina for a long time, with whom he runs a traditional caftan store in the medina (old town) of Salé, Morocco. The couple has always lived with Halim's secret – his homosexuality – about which he has learned to keep quiet. However, Mina's illness and the arrival of a young apprentice upsets this balance. United in their love, each will help the other face his fears.
A teenager tries to track down a man he met at an anonymous sex party, trawling through hook-up apps to find him.
Every few hundred years, the most powerful demon on earth—a snake demon—awakens, and the Yin-Yang Masters are summoned to the capital. Meanwhile, the Princess of the realm has her own plans, as she conspires to claim the demon’s power.
One night in Belgrade, a young guy meets a man for casual sex. By morning, different expectations can bring a new light on this chance meeting.
A pregnancy test leads Eloïse to question the future of her open relationship with Florence, hoping there could be more between them.
A queer Arab boy, Nazeem, looks up to his Muslim mother with awe. Later in life, it is only through being a drag queen that he holds on to their lost and fraught connection.
Uri, a 50 year old family man, has a romantic secret relationship with Oded, a young man from their small town in the south of Israel. During a trip in the desert, the two are forced to deal with the tragic consequences of their type of relationship.
Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.
In this sequel to Dawn: Portrait of a Teenage Runaway, Alexander's story is told in both the past and the present. Alexander's parents send him away from home for being too sensitive and not helping enough on their farm. He goes to Los Angeles in hopes of going to art school, but when he can't find a job as a minor, he turns to prostitution. After being arrested, he wants to head to Arizona to marry Dawn, but he falls into a lucrative job/relationship with a gay football star.
José, a fifty-year-old homosexual magician, feels the need to return to Granada, the place where he spent his childhood, perhaps to embrace the painful memory of tragic experiences, perhaps to bury it definitively.
In the Amazonian jungle, the village of Palma Real resists the modern world. Carlito, a silent young man, decides to leave. On the muddy bed of the immense river, an encounter reveals the secret that Carlito has hidden from his community.
