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After his retirement, french philosopher and bullfighting enthusiast Francis Wolff decides to embark on a journey to France, Spain and Mexico joined by two mexican filmmakers who hardly know anything about bullfighting, a culture whose days seem to be numbered. During their road trip, they encounter numerous personalities with whom they reflect on mankind’s relationship with animals and nature, but most importantly on our relationship with death and the meaning of the ultimate journey: life itself.
Blas Romero "El Platanito" is a bullfighter who begins to take its first steps in Merida. After a long journey, one day he is lucky enough, his performance is showed on TV and that brings him to top of the charts. From now on, his problems will be centered with the dilemma of having to give up their dreams of making serious classical bullfighting, or jump to a false bullfighting, between slapstick and temerity, which will give offer him numerous well-paid contracts.
Juanito, a peaceful fan of bullfighting, has become picador's assistant to see from the same arena the show in which he brags he is one of the protagonists. Furthermore, he believes he has discovered in a neighbor a potential figure of bullfighting sphere.
Four real episodes told by their protagonists: Antonio Mejías "Bienvenida" tells the serious goring he suffered in the Plaza de Las Ventas and his recovery process. Álvaro Domecq Romero evokes the last days of the life of the mare "Splendid", the noble animal that was brave and sensitive companion of his father. Andrés Vázquez tells how the times of the "capeas" were in little villages. With him were many unknown kids, who found an anonymous and obscure death. Finally, Luis Miguel "Dominguín", who was with Manolete, in Linares, the afternoon in which he met his death, evokes that tragic afternoon and glosses the bullfighter's human virtues. The four protagonists have seen the death in one way or another and the four tell the indelible impression that remained on them.
A symphonic journey through fascinating real and artificial visual worlds, inspired by the spirit of science and discovery.
“Peroni 7” talks about the transformative impact of Kosovo’s liberalized visas and migration. Through personal stories of new beginnings and farewells, the film paints a touching picture of a nation in transition, striving for a brighter and more connected future.
This retrospective features both archival and 2017 interviews with cast and crew members. It includes interviews with CG supervisor Paul M. Sammon, executive producer Patrick Crowley, associate producer Phil Tippett, cinematographer Mark Irwin as well as actors Nancy Allen, Tom Noonan, and Galyn Görg. Sammon's 1989/90 interviews with producer Jon Davidson and director Irvin Kershner are excerpted. There is also vintage rehearsal and BTS footage.
Here is the story of the entire life of Nicolae Ceaușescu, a peasant's son who managed to become the most powerful man in Romania. Including original archival footage and historical re-enactments, the story is told by those who lived it, those who knew him intimately, followed him, served him and carried out his orders: fellow prisoners, " his 'double', personal assistants, his personal security men, those who accompanied him on foreign trips, his translator, advisers, diplomats and family members.
The Real. Chat GPT: Creator or Terminator, is a thought-provoking documentary that delves into the rapid advancement and potential consequences of artificial intelligence (AI) technology. Through compelling interviews with leading experts in the field of AI, the film explores the evolution of AI from its inception to its current state and beyond. The documentary highlights the incredible achievements AI has facilitated, from revolutionizing industries like healthcare and transportation to enhancing everyday conveniences. However, it also raises critical questions about the ethical dilemmas and risks associated with AI development and deployment.
VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey