Audition

Behind The Looking Glass is a film about the lives of women whose partners have or want to ‘transition’. While we hear a great deal of “stunning and brave” stories of men, there is a deadly silence when it comes to the stories of the wives or partners. This film will be the first of its kind in collecting such experiences of women from around the world.

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.

A study, in film animation, of a day in the life of a housewife, described without words, with a minimum of detail but with a perception all the more pertinent because of the simplicity of presentation. The film makes no judgments. It simply states the case, but serves as an apt starting point for any discussion of the role of women and the value of their work.

The encounter can never happen between a man in the past (tense) and a girl in the present (tense) in the garden of times.

Global pandemics are like prairie thunderstorms. Full of terror and havoc, they eventually pass. Bringing a new baby into the world can also feel like a storm.

Emile is an unhappy little vampire, doing a job he detests, in a world plunged into perpetual gloom. He serves a despotic mistress who loathes wrinkles, in the most extreme way.

Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.

Our hero inadvertently earns the favor of a woman after suffering frustration in a campaign to win her heart.

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

In her attempt to escape her past, Huiju relocated to the UK over 11 months ago. However, even after moving to a new country, she found that her nightmares from Korea continued to haunt her. Determined to move forward, she made the decision to confront her memories head-on in a very contemporary way, using dating apps to push the boundaries she had set due to her sexual trauma.