Trail of the Kiamichi Beast

The Iron Cross Army are sabotaging oil-tankers with the help of their monster, the Sea-Devil, a semi-mechanical anthropomorphic swordfish with an ability to shoot torpedoes from its mouth. Spiderman employs the help of the interpol agent Juzo Mamiya to help him stop the Iron Cross Army.

A journey to the heartland of the Midwest for an in-depth look at an ongoing phenomenon: one of the most recent and popular stories has been an ongoing wave of sightings of a red-eyed, shapeless creature dubbed the Chicago Mothman.

A group of archaeologists open a tomb that awakens horrible monsters, while journeyman Yusuke Godai is compelled to access a strange belt from the tomb to fight back against them. Also, a drunkard witnesses a murder by an unidentified lifeform near a church. Meanwhile, Yusuke is bothered by the idea of fighting and is unsure if it was right until he saw the daughter of one of the slain archeologists crying, making his reason to fight "to protect the smiles of people". This is the director's cut version of the first two episodes of the Kamen Rider Kuuga TV series.

The first manned flight to Mars returns after having been out of communications since it had arrived on Mars. What would it reveal?

This doc investigates the odd occurrences that have happened for decades at a creek in Texas, which was an Ancient Native American burial ground.

Young Lucas finds out he's not really a human after he surprisingly transforms into a monster in front of the most popular kids at school. His search for Monster Island and his real roots takes him on a fabulously scary journey that puts him face to face with more tentacles, fangs and far-out situations than he can shake one of his new wings at.

A documentary-style drama based on true accounts of the Fouke Monster in Arkansas.

Wicket the Ewok and his friends agree to help two shipwrecked human children, Mace and Cindel, on a quest to find their parents.

Bruce Banner, a genetics researcher with a tragic past, suffers massive radiation exposure in his laboratory that causes him to transform into a raging green monster when he gets angry.

A group of heavily armed hijackers board a luxury ocean liner in the South Pacific Ocean to loot it, only to do battle with a series of large-sized, tentacled, man-eating sea creatures who have taken over the ship first.

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.