La dama de Beirut

German composer Richard Wagner wrote Parsifal, which is a three-act opera that tells the story of the title character's quest to save the Knights of the Holy Grail by returning the Holy Spear, healing King Amfortas, and carrying out the sacred ceremony of uncovering the Holy Grail.

Zeina (Nadine Acoury) is a Catholic student whose good friend Haidar (Haithem El Amine), a Muslim, has always been particularly close. After a futile attempt to get together (he gets caught in traffic), they each decide to make an audio tape trying to explain, based on their own ideas, why there continues to be fighting in Lebanon now, in 1977, and why they are against it. Zeina is about to leave for the United States and Haidar is to meet her at the airport, where they will exchange their tapes. Alas, fate intervenes because when he arrives early at the airport, he is harassed by someone looking to prey on gullible refugees and he gets so angry that he grabs a taxi out of there, throwing his tape away as he does so. When Zeina arrives and realizes he is not there, she is broken-hearted. In a strange twist at the end, the cast and the director (Borhane Alaouie) have a discussion as to whether or not the character of Haidar should kill himself.

Samar, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighborhood. An unlikely bond is formed between the two as they face the devastating civil war.

Like a Spiral is a dialogue between Beirut and five women, migrant domestic workers, under the Kafala system. Expressing their belonging to a society in collapse, the women's voices rise through the film's grainy images to denounce their stolen freedom with an inalienable thirst for existence. Their memories dance in the rhythm of oppression. Caught within life's spiral, they lift themselves up to not sink into oblivion.

In the middle of the night, a Lebanese couple becomes afraid of Israeli bombings

Lebanon today. The traces of the civil war are all too tangible as government corruption becomes unbearable. In a country where conflict and peace are caught in an endless cycle, musicians from different backgrounds pool their talents to create an underground music scene. Each evokes his or her representation of Lebanon: its shifting geographical, political, historical and social borders, its painful passage through conflict and instability. A touching portrait of a young generation trying to build an oasis in a hostile environment where the forces of destruction continue to wreak havoc.

In 1958, as a deadly typhoon approaches, a young boy embarks on a perilous journey to a haunted mountain pool, determined to calm a sorrowful spirit whose grief has cursed the village with devastating floods.

The elderly first-class prosecutor Khalid Aliyarov loses his wife before retirement. For a 65-year-old man, this event becomes a serious life crisis. However, the head of the prosecutor's office asks him to support his colleague Govhar khanum in opening the next criminal incident in order to get him out of this crisis. In connection with the case, the prosecutor's office gives him a car equipped with a Virtual Interlocutor (Viham) with artificial intelligence, and Aliyarov realizes that he is not alone in his loneliness. Despite being a representative of a large, modern virtual world, Viham is also lonely. There is a serious gap between these two generations. Will they be able to find common ground...

To some art is simply a painting, a sketch, perhaps a photograph - but to others, art is pain. That kind of art can't be framed, it has to be captured in a different way. At least that's what a villain would think.

In 1996, after seven days of extremely difficult ascent, Vanja Furlan and Tomaž Humar managed to reach the summit of Ama Dablam in Nepal on the northwest face. Zvonko Požgaj, their only link to the valley, followed the events from the base camp, led and encouraged them to cross the emetre, and at the same time carefully recorded and recorded everything that happened during those days dramatic. The film about the disappearance, time, mortality, memory and eternity of the human spirit pays tribute to one of the greatest achievements of Slovenian mountaineering in the world and is dedicated to Vanja Furlan and Tomaž Humar .