Karpuz Kabuğundan Gemiler Yapmak

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

As World War I rages, brave and youthful Australians Archy and Frank—both agile runners—become friends and enlist in the Australian and New Zealand Army Corps together. They later find themselves part of the Dardanelles Campaign on the Gallipoli peninsula, a brutal eight-month conflict which pit the British and their allies against the Ottoman Empire and left over 500,000 men dead.

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Set in the second decade of the 20th century, this is a story of cinema entering villages of Kerala. The protagonist Diwakaran gets attracted to the new machine, bioscope, at an exhibition by Frenchman DuPont, who does bioscope shows on the coasts of Tamil Nadu.

As woodsmen, brothers Kemal and Cemal struggle with an uncertain future, living in a house inherited by their father, on the outskirts of a village. Kemal has always been a father to his brother. Nalân, arrives one day with Kemal, and adopts the house as her own. Her presence soothes Cemal, who's shaken by his mother’s death.

Various experiences of childhood are seen in several sequences that take place in the small town of Thiers, France. Vignettes include a boy's awakening interest in girls, couples double-dating at the movies, brothers giving their friend a haircut, a boy dealing with an abusive home life, a baby and a cat sitting by an open window, a child telling a dirty joke, and a boy who develops a crush on his friend's mother.

A committed film director struggles to complete his movie while coping with a myriad of crises, personal and professional, among the cast and crew.

Nick is the director of a low-budget indie film. He tries to keep everything together as his production is plagued with an insecure actress, a megalomaniac star, a pretentious, beret-wearing director of photography, and lousy catering.

During the Sarikamis Battle, the Ottoman army runs out of ammunition and appeals to the people of Van for help, who happen to have supplies. However, the First World War is on and all men are fighting at four corners of the empire and therefore can not respond to to the appeal. The young children of Van want to do something...