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Lioness - (Dec 1st)
Landman - (Dec 1st)
Earth Abides - (Dec 1st)
Made In Mumbles - (Dec 1st)
Im a Celebrity... Unpacked - (Dec 1st)
Michael McIntyres The Wheel - (Dec 1st)
Match of the Day - (Nov 30th)
Legends of Comedy with Lenny Henry - (Nov 30th)
Strictly Come Dancing- It Takes Two - (Nov 30th)
The Chase - (Nov 30th)
A Bite to Eat with Alice - (Nov 30th)
Alex Witt Reports - (Nov 30th)
Lucky - (Nov 30th)
WWE NXT- Level Up - (Nov 30th)
The Late Late Show - (Nov 30th)
Motorway- Hell On The Highway - (Nov 30th)
A History Of Royal Scandals - (Nov 30th)
Football Focus - (Nov 30th)
Saturday Kitchen Live - (Nov 30th)
Gutfeld - (Nov 30th)
Well scripted, well performed, well staged. A round movie with a fantastic Mads Mikkelsen. Honestly, I think this movie would have been even better with some more minutes on it to develop the plot even further. Fantastic directing.
Viewers beware: this is not an easy or light watch. Mads Mikkelsen absolutely kills it as a somewhat lonely single man, who suddenly finds love and welcomes his son to live with him. That's all I'll reveal in the review, no spoilers here. But again, this isn't a light film, nor should it be. This tackles the subject matter with the poise it deserves, with stunning performances from Mads as well as the entire supporting cast. The script and cinematography lend themselves perfectly to the task at hand, delivering a well-crafted portrayal of love, friendship, and ruin. Excellent.
Happy to file this one under 'Films I Evidently Didn't Get'. [Edit: I can't lie, I'm absolutely waffling below. Apologies in advance and totally feel free to ignore, I just typed whatever came into my head because I'm simply so unsure about this. I've articulated myself awfully I'm positive, way too many paragraphs and all that but hey-ho.] I don't even know where to start with 'The Hunt', I'm finding it difficult to seperate my thoughts. On the one hand I dislike a lot about this, from the writing to the pacing to the supposed message of it and from the clearly phenomenal acting. I usually solely focus on my own opinions and type up my review before reading others', but every now and then a film comes along that I just don't get and when it's one with surprisingly (to me) high acclaim I have to read other reviews to see if I've just simply missed something glaringly obvious - which is, even now, entirely possible, don't get me wrong. However, the vibe of a handful of reviews on here I've seen is either hate the kid(s) or hate the people for believing the kid(s)... surely that's not the point of the film? I'm aware this is perhaps too UK-centric a reference, but if that is the case it is giving major Tory/Brexit/GB News vibes. As in, it's (hate this word, but...) some sorta 'wokery', we must get rid of cancel culture and all that stupid rhetoric. Pre-reading reviews, I just simply didn't understand what the film was trying to say... and even by stating whatever, why it went around the houses for nearly two hours and then proceded to not even wrap it up. I personally found it exhausting to watch, I admittedly don't tend to enjoy films that attempt these sorta 'smart' open-ended endings. If all the film is trying to say is that people can sometimes be falsely accused and have their lifes ruined by mob mentality, then fine... but I'm not sure using child abuse is quite the way to portray that idea. It's hardly a regular real life occurrence of children (very young children, at that) ruining grown mens lifes with sexual assault claims, is it? That's what I mean with what I said three paragraphs back, it's like you see on social media when a well known person is alleged to have done something serious and you get that section of people who immediately hate the likely victim for no reason. Now, perhaps I'm unsure about this 2012 release as I'm judging through my 2023 eyes, as in the aforementioned online rhetoric has murked the waters in terms of what the film is actually trying to say. Nowadays it's closely associated with those who use the terms 'woke', 'snowflake' etc. and that makes me feel uncomfortable, I can't lie. Now, even all that aside, solely as film I still didn't really enjoy it either. The way parts are written and characters act annoyed me, e.g. the shop scene. From them all willing to fight Lucas one second to the next when they're all scared because he head-butted someone; and how they didn't see that coming, or Lucas himself didn't see the initial punch coming. I acknowledge that's a random example, but it kinda typifies how odd the film felt to me at most moments. As I said, I do have one positive and that is the acting - which is truly top notch, frustratingly so if anything as it makes it difficult for me to rate the film. Mads Mikkelsen is truly outstanding, one of the best performances I've seen from him thus far. Thomas Bo Larsen is quality as well. No-one on the cast puts a foot wrong in truth, even youngster Annika Wedderkopp or the more experienced Anne Louise Hassing. I get severely awkward when I'm rating a film so much lower than the majority, which doesn't happen all that often at all but when it does it makes me cringe. I'm just being honest in how I feel though, even if it's totally possible that I've just got the wrong end of the stick completely. If I have, so be it.
"Don't accuse someone of thing with ignorance, you'll regret it later" - Quran
A mother attempts to reconnect with her jihadist son when he is allowed to await his trial at home with her.
Cicely Tyson was Emmy-nominated as Outstanding Actress for her portrait of a Chicago schoolteacher whose remarkable achievements with black children labelled "unteachable" were spotlighted in a 1979 "60 Minutes" segment about how she became disillusioned with the traditional school system and decided to work outside of it, transforming her students into young scholars through her unique teaching style.
Dilan's involvement in the motorbike gang imperils his relationship with Milea, whose distant relative returns from Belgium.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Derek Vineyard is paroled after serving 3 years in prison for killing two African-American men. Through his brother, Danny Vineyard's narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
After her parents' divorce, Julie visits her father Nicolas along with his new much younger boyfriend Christian. Christian tries to use her visit to resolve a fight with Nicolas in his favour.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.