Michael Jackson: The Making of Ghosts

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

Michael Jackson is remembered as the King of Pop, and is a renowned incredibly talented singer and dancer. His style, music and dance moves are celebrated worldwide. He was a one of a kind performer and once in a lifetime entertainer, but few people really know the man he was behind the mask and and the man that the media portrayed him to be. From the age of 5 and up until his last days, the pressure that was put on him was enormous and it had serious repercussions on his physical and mental health. His success was overshadowed by child abuse allegations, and his addiction for prescription drugs and plastic surgery. The show reveals who was the real Michael Jackson, the deeply conflicted man, the man that never really grew up, the man in the mirror.

On a January night in 1985, music's biggest stars gathered to record "We Are the World." This documentary goes behind the scenes of the historic event.

This film celebrates the joyous and timeless music of Michael Jackson from his first recordings with the Jackson 5 through hit after hit from the seventies, the eighties and the nineties, right up to his most recent cuts, and in so doing tells the story of a true pop genius, the way it really happened. Featuring rare performance and interview footage of Michael and archive material.

A series of precipitous events force the ensemble cast into a fateful intersection with justice and violence. Griot and the community struggle against the errors of terror so many make when it seems all is lost.

An in-depth portrayal of Michael Jackson, a complicated man, who became the King of Pop. The biopic will bring to life Jackson’s most iconic performances as it gives an informed insight into the entertainer’s artistic process and personal life.

Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.

Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.

A documentary about young people just starting their higher education and their professional life.

This Feature documentary is about the lives of Louis Brunke and Vladimir Fissenko who rode on horseback from the southern tip of Argentina to Prudhoe Bay, Alaska. It took them five years to cross 14 countries - and they filmed it all.

"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on arts. Show people looked at the rough cut of the film and became very angry. 'But there is nothing about Show Magazine and DuPont fabrics in the movie,' they said. 'What has that to do with the arts in New York!' I said. The battle was short. The film was destroyed. Really, I have no idea what they did with it. This workprint of the first FILM MAGAZINE OF THE ARTS is the only print in existence, as far as I know." - J.M.