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An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.
Rural comedy of the intrigues and stratagems involving a country wedding. From a comedy by Alexis Kivi.
Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.
She creates time lapses, he is into slow motion. Is it possible to meet in time?
Quincy Adams Sawyer is a young attorney who one day meets a girl in the park and is immediately smitten with her.
Mr. Jones, since his last escapade, had made strenuous efforts to amend the reputation he had gained in the eyes of the ladies of the Temperance League. But Oh! the ordeal, for such it was, was telling on him, and his pent-up spirits were threatening ebullition, when at last the chance comes. The league arranges to attend a three-days' convention out of town, and when Mrs. Jones departs, Jones sends a note to Smith, telling him to bring the gang, and they would have a "Prayer Meeting," enjoining him not to forget the "fixings." Well, the gang are not long in putting in an appearance, for they feel that every minute's delay is a chunk lost from a golden opportunity for fun.
In this picture we see a man who is vested with authority to enforce the law, but, unlike the usual sort of men occupying the same position, he is so kind-hearted that ofttimes he is governed by his sentiments, and is very indiscreet in meting out just punishment to offenders, He is patrolling in the country, where lawbreakers are not numerous, but once in a while it will happen that somebody is guilty of an act that is not just in keeping with propriety. His first duty is to arrest a pair of lovers whom he catches kissing, but when he comes upon the love-sick couple, and threatens to arrest them, his heart is softened by their tears, so he allows them to go their way with some good advice.
Max, the celebrated fun maker, is shown in another of his amusing playlets. His fiancée, ere she marries him, insists that he prove himself a hero by fighting a duel. Max has difficulty in finding an opponent whom he can defeat and his adventures constitute a comedy which is a scream from start to finish.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.