Protecting Princess Diana: The Bodyguard's Story

Kirsty Young, Huw Edwards, Sophie Raworth and Claire Balding are your guides for the historic coronation of Their Majesties King Charles III and Queen Camilla on Saturday 6 May. From her studio outside Buckingham Palace, Kirsty will be joined by guests, including friends and colleagues of the King and Queen, who will share their personal insights. Throughout the morning, a series of films will explore the King’s passions, and a broad range of experts will join Kirsty to provide analysis of this new chapter in British history. Across the capital, a team of presenters will be in key locations to report and commentate throughout the day as events unfold. As the armed forces prepare for one of the largest military parades in living memory, JJ Chalmers will speak to servicemen and women from across the UK and the Commonwealth as they arrive in London to take their positions.

This feature documentary offers a complete record of the 1939 Royal Tour of Canada by King George VI and Queen Elizabeth. The film opens as the royal couple makes a stop in Québec city, where Premier Duplessis greets them. They then visit Montréal and meet mayor Camilien Houde. A visit to Ottawa brings them to Parliament, where Prime Minister MacKenzie King is present. The visit continues throughout Ontario, the prairies, and western Canada. The Royal couple also makes a brief stop in Washington and meets President Franklin Roosevelt. They then stop in on the Maritime provinces before boarding a Royal yacht for the journey back to England.

The story of Queen Elizabeth II from those who know her best.

For the first time, the extent of the Duke of Windsor's treachery during World War II is revealed; not just sympathising with the enemy but, new evidence reveals, actively collaborating.

In "Diana: The Mourning After" Christopher Hitchens sets out to examine the bogusness of "a nation's grief", tries to uncover the few voices of sanity that cut against the grain of contrived hysteria. His findings suggested that the collective hordes of emotive Dianaphiles sobbing in the streets were not only encouraged but emulated by the media. In the aftermath of Diana's death a three-line whip was enforced on newspapers and on TV, selling the sainthood line wholesale. The suspicion was that journalists, like the public, greeted the death as a chance to wax emotional in print, as a change from the customary knowing cynicism, to wheel out all those portentous phrases they'd been saving up for the big occasion. Sadly, they just seemed to be showboating; the eulogies, laments and tear-soaked platitudes ringing risibly hollow.

A unique celebration of the Queen's ninety years as she reaches her landmark birthday in April. Film-maker John Bridcut has been granted special access to the complete collection of Her Majesty's personal ciné films, shot by the Duke of Edinburgh and the Queen herself, as well as by King George VI and Queen Elizabeth The Queen Mother. Much of it has never been seen publicly before. Various members of the Royal Family are filmed watching this private footage and contributing their own personal insights and their memories of the woman they know both as a member of their own close family and as queen. Among those taking part are the Prince of Wales, the Duke of Cambridge, Prince Harry, the Princess Royal, the Duke of Kent and his sister Princess Alexandra, who has never before given an interview.

A look at the Princess before the arrival of a new member of the royal family

Intimate portrait of the daily life of the British Royal Family drawn from 18 months of filming within Buckingham Palace, Windsor Castle and Balmoral.

This is the story of how a prince became a king, a revealing portrait of our new monarch across the seven decades he spent as heir to the throne. It’s a journey from cradle to crown told almost solely in his own words, from film and television recordings to private home movies and featuring a wealth of material, some of which has never been seen before. As well as drawing on home movies from the Royal Collection, the film-makers were given exclusive access to sequences featuring the prince, shot for the landmark 1969 film Royal Family, including private unseen moments.