San Juan, más allá de las murallas

Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.

A look at Puerto Rico and its cinema through films, documentaries, and commercials from the early twentieth century to the emerging cinema of today. Visual and narrative strategies portray fragments of Puerto Rico's general history and, in turn, answers the questions of who, when, and for whom have ​​films been made in Puerto Rico and the resources that are available to do it.

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

Strong Puerto Rican women forced to flee the island after Hurricane Maria have bonded like family in a FEMA hotel in the Bronx. They seek stability in their new life as forces try to pull them apart.

“El Apagón: Aquí Vive Gente” is a documentary directed by Bad Bunny and Blanca Graulau. This 23-minute film explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

A look at the current state of Puerto Rico and how coastal erosion has affected the Island.

Documentary on the mass sterilization of Puerto Rican women during the 1950s and '60s.

Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.

“Entre el grito y la celda” is a film adaptation of the theatrical monologue “Lolita", which has been performed locally and internationally for the past 11 years, with over 60 performances in 5 countries, 5 states in North America, and more than 40 municipalities in Puerto Rico. The story is set in late 1954, when political prisoner Lolita Lebrón had already been sentenced to 50 years in prison at the federal prison in Alderson, West Virginia, for leading an attack on the United States Congress. The film explores Lolita's life and patriotic thoughts through poetic language, intertwining her three most significant aspects: her fervent religiosity, her fight for justice from the perspective of a young woman and mother, and her patriotic bravery to risk her freedom for causes and values she firmly believed in. The movie highlights the themes of national identity and the struggles of a resilient woman who became, for many, the Mother of the Puerto Rican Nation.

Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.