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The story involves various ninja clans in a constant state of war with one another. The female protagonist is Miko Mido, a young ninja-in-training and the next leader of the Miroku ninja clan. This clan has control over the Shikima, a perverted race of sex-hungry demons led by Miko's father, the Shikima Lord. However, when thieves steal the magic compact that grants the clan this power, Miko has to fight the Shikima, utilizing her "sexcraft" ninjutsu in order to save the world. The Shikima live in a parallel dimension called the Shikima Realm, and one must perform specific sexual rituals in order to travel there. A Compilation of the first four Episodes of La Blue Girl.
Venus-Award 2001: Bestes deutsches Softvideo 'Die Teufelsinsel' von Inkognito Filmproduktion. In 14 Tagen auf Gran Canaria gedreht. Mit 3 Mast Holzschoner, Sunseeker Yacht, eigener Feriensiedlung und einer Crew von 40 Leuten.
Based on the Southeast Asian mythology of the "Krasue." The "Krasue" is the floating head of a vampiric female ghost which has internal organs that hang from the ghost's neck.
Salesman Roy Knable spends all his free time watching television, to the exasperation of his wife, Helen. One day, TV salesman Spike convinces Roy to buy a satellite dish offering 666 channels. The new addition to Roy's home entertainment system sucks him and Helen into Hellvision, a realm run by Spike, who is an emissary of Satan. For 24 hours, the couple must survive devilish parodies of TV programs if they want to return to reality alive.
After their caravan is attacked and their respective families butchered by Arab marauders, teenagers David and Sarah flee across the desert. But the desert is filled with danger from the elements, animals and the unwholesome appetite of the Jackal, a sheik who wants Sarah for himself. However, the desert also holds temptation and love. David and Sarah hide out in an oasis and build a life for themselves, discovering each other in new ways.
In a corrupt city, a small-time gangster and the estranged wife of a pot dealer find themselves thrown together in an escapade of love, money, drugs and danger.
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it's just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
When high school misfits Rickie and JT decide to ditch school and find themselves lost in the crumbling facility of a nearby abandoned hospital, they come face-to-face with a gruesome discovery: a body of a woman stripped naked, chained to a table and covered in plastic and soon realize she is anything but dead. Quickly the boys find themselves embarking on a twisted yet poignant journey testing the limits of their friendship, and forces both to decide just how far they're willing to stretch their understanding of right and wrong.
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...