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A French captain persuades a rich widow to become his mistress, but it is a scheme to test her love.
Japan has a recidivism rate of 50%. The staff at a magazine called CHANGE want to lower that by rehabilitating former prisoners. This forms the basis of FUNAHASHI Atsushi’s ensemble docudrama, which tells the story from both the perspectives of the editorial team and ex-cons.
For years, together with his partners from the production company O Quadro, he has been betting on cinema as a tool to explore the typical issues of youth. In this film, Evandro Scorsin turns the cameras on himself as he deals with the dilemmas of the passing of time and the imposition of adulthood. In an exercise in autofiction where cinema and life merge, the film is also a cinematic love letter to the beloved masters (especially Nicholas Ray). Coming and going between two countries and times, it records the vertigo of displacement and the reinventions inherent to an immigrant experience.
Feature length documentary covering the making of HARD ROCK ZOMBIES.
