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> The way I wanted like the old days, great! An Irish vampire movie, thus back to where the vampires were originated. There are no good vampire movies these days, all those are teen target products which are simply a fantasy flick. In the old days, its horror and terrifying ugly giant beasts, the werewolves were, but in the todays movies they are adorable giant wolves. It's either vampire movie or werewolf, the result is same. 'Twilight' or 'Vampire Academy' and others, just not my type, though watch them for entertainment and to keep up-to-date. The reason I watched it is for Saoirse Ronan, because I like her. But Gemma Arterton has been so good like always. To me this is what called a vampire movie. Of course, themes should vary from a movie to another, that does not mean one can completely abandon the basic theory. Neo-gothic is one of that, the present filmmakers forgets, because that kind of set-up gives Dracula effect. This film has been just like everything I wanted, so I enjoyed every bit. It is always great to see a movie that portrays the world over the span of 100 or more years. As usual survival and hiding the identity is the main intention for the concept. But from who (other than humans) and why is the suspense that reveals formally at the right time. If you like 'We're the Nights', then this is the right one to pick. But not great as 'Interview with the Vampire' was, in fact, it was directed by the same director. 7.5/10
With it's beautiful cinematography, steady pace, and understated acting, Byzantium is solid modern Gothic vampire tale. A bit reminiscent of Interview with the Vampire and The Moth Diaries, we see mother and daughter vampire in current day and through flashbacks and storytelling are told of how they came to be and the loneliness of their existence. Byzantium is a slow burn and never takes any drastic chances. It forgoes the cheese of many vampire films and remains melancholy throughout. This certainly won't be for everyone, yet there is definitely something worthy here.
Hell and Mr. Fudge is an 2012 American drama film directed by Jeff Wood and written by Brian Phillip Stoddard. Based on a true story, the film stars Mackenzie Astin as Edward Fudge, an Alabama preacher who has been hired to determine the existence of hell.
Revolves around a British military contractor Lex Walker who is told his daughter has died. When he arrives in Los Angeles and discovers the body is not hers, he begins an investigation.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
Ripley, the sole survivor of the Nostromo's deadly encounter with the monstrous Alien, returns to Earth after drifting through space in hypersleep for 57 years. Although her story is initially met with skepticism, she agrees to accompany a team of Colonial Marines back to LV-426.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Several lonely hearts in a semi-provincial suburb of a town in Denmark use a beginner's course in Italian as the platform to meet the romance of their lives. The film, which unspools the connections and family drama shared between the students, complies with several aesthetic principles of Dogme 95 movement.
A young boy wins a tour through the most magnificent chocolate factory in the world, led by the world's most unusual candy maker.
A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family.
