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“Blood for Dust” is the type of generic crime thriller that not only has a forgettable title, but is something that you won’t remember watching a week later. That doesn’t mean it’s a stinker, though, and Rod Blackhurst’s strong direction and commanding performances from the cast make this slow burn indie a familiar, yet still unpredictable, ride. Traveling salesman Cliff (Scoot McNairy) is drowning in debt and struggling to take care of his family. All he wants is the American Dream, but the only things he seems to be catching are remnants in the rearview mirror. When he has a chance encounter with Ricky (Kit Harington), a colleague from a dark past he’d rather forget, Cliff joins him and American cartel boss John (Josh Lucas) for a dangerous job that promises a big payday. It’s a simple story of guns, drugs, bloodshed, and despair that’s well told. The basic script (co-written by Blackhurst and David Ebeltoft) is peppered with dialogue that’s sometimes superficial yet somehow, often profound. This is a small story about of the white American male that’s well told, with strong “Hell or High Water” vibes. The film is hauntingly beautiful, and Blackhurst nails the moody atmosphere. The cold and bleak landscapes of the snow-covered Montana badlands perfectly complement the story, lending a slice of modern Western Americana that’s rough, rugged, and grim. I enjoyed “Blood for Dust” in spite of its predictability and flaws because the things it sets out to accomplish, it does so well. By: Louisa Moore
Enforcing the law within the notoriously rough Brownsville section of the city and especially within the Van Dyke housing projects is the NYPD's sixty-fifth precinct. Three police officers struggle with the sometimes fine line between right and wrong.
Izzy is raising her younger brother, Kevin, by herself. Their parents are deceased and her older brother, Rusty, is away in the Marines. When Izzy learns that her little brother is being bullied at school, she does what any unstable, psychopathic, homicidal sister would do.
Through a fluke circumstance, a ruthless woman stumbles across a suitcase filled with $60,000, and is determined to hold onto it even if it means murder.
Deputy Sheriff Joe "Deke" Deacon joins forces with Sgt. Jim Baxter to search for a serial killer who's terrorizing Los Angeles. As they track the culprit, Baxter is unaware that the investigation is dredging up echoes of Deke's past, uncovering disturbing secrets that could threaten more than his case.
When eight friends get together to celebrate the new millennium, one of them takes the party's theme of death too far.
One hundred mid- and low-level gangsters who are on their boss' bad side are locked inside a newly-built high-security prison, and given plenty of guns, ammo, and baseball bats, then told that the last survivor will get a suitcase with 10 million dollars.
In 1879, Kenshin and his allies face their strongest enemy yet: his former brother-in-law Enishi Yukishiro and his minions, who've vowed their revenge.
Five men plot to steal a large sum of money from the local yakuza, but everything does not go as planned and the men find themselves hunted down by contract killers.
In 1876 Wyoming, the gun is the only law. And for Duncan and Suzanna McKaskel, newly arrived settlers beset by outlaws, rugged frontiersman Con Vallian is the only hope.
Bank teller Mike Donovan (Barry Sullivan) takes the first step on the road to Perdition when he fails to report a $49,000 shortage. Accused of theft, Donovan is fired from his job. He is then prevented from finding other employment by Javert-like insurance investigator Gus Slavin (Charles McGraw). Despite many setbacks, Donovan attempts to clear his muddied name.