Alain Resnais, l'audacieux

"Smoking" and "No Smoking" are two segments of the film which are based on closely connected plays. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each segment, the five female characters (all played by Sabine Azema) and the four male characters (all played by Pierre Arditi) have their lives skillfully recapped in terms of "what might have happened" if they had made or failed to make certain choices. For example, "No Smoking" focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife, Rowena.

"Smoking" and "No Smoking" are two segments of the film which are based on closely connected plays. The original plays covered eight separate stories, which have been pared down to three each for these movies. At a certain point in the story of each segment, the five female characters (all played by Sabine Azema) and the four male characters (all played by Pierre Arditi) have their lives skillfully recapped in terms of "what might have happened" if they had made or failed to make certain choices. For example, "No Smoking" focuses chiefly on the relationship between the mild-mannered Miles Coombes and his infinitely more aggressive and ambitious wife, Rowena.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

The Pulitzer at 100, by Oscar and Emmy winning director Kirk Simon, is a ninety-minute independent documentary released in conjunction with the Pulitzer Centennial in April 2016. This film is told through the riveting stories of the artists that have won the prestigious prize. With Pulitzer work read by Helen Mirren, Natalie Portman, Liev Schreiber, John Lithgow and Yara Shahidi; journalists include Carl Bernstein, Nick Kristof, Thomas Friedman, and David Remnick; authors include Toni Morrison, Michael Chabon, Junot Díaz, Tony Kushner, and Ayad Akhtar; and musicians Wynton Marsalis, David Crosby, and John Adams also share their stories.

At the world's only ballet school for the blind, located in Sao Paolo, Brazil, a prima ballerina and her teen protege boldly take on the unique challenges of their visual impairments to develop new forms of self-expression through dance.

A court's decision to take away a mother's child after a divorce and grant the father sole custody leads to a clash of human law and written law.

Two part biography of Greta Garbo - 1. The Temptress 2. The Clown. Reminiscences of her early life in Stockholm, with excerpts from her films. Narrated by Bibi Andersson.

John Safran investigates the micro parties contesting the 2016 Australian Federal Election, revealing bizarre alliances that unpend perceptions of Australian multiculturalism, uncovering what could be the most religious election ever. As the nation heads towards a neck-and-neck election, the micro parties supported by Australia's religious minorities could end up with a balance of power. Join Safran as he cracks the lid on unlikely alliances and surprising frenemies in his inimitable style.

Philipp and Anna live in the Berlin Babyboom-Kiez Kreuzberg. They also like to go to the playground, but with their little niece Nele. Anna does not want to know anything about Philipp's sudden desire to have a baby. She is on the verge of a professorship and insists on the old agreement: kK - no children! The more intently he makes his baby application to his wife, the more obvious is her rebuff.