War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
FULL SPOILER-FREE REVIEW @ https://fandomwire.com/ricky-stanicky-review-a-humorous-pleasant-comedy/ "Ricky Stanicky cleverly uses a blend of light humor, simple yet sincere messages, and a pleasant narrative to provide broad entertainment, as well as a testament to the complexities of personal growth and human nature. The standout performance of John Cena, along with a cohesive and dynamic cast, elevates the film beyond its conventional plot, highlighting Peter Farrelly's ability to create stories that resonate with the audience through laughter and reflection. Despite the divergent opinions on Farrelly's contributions to cinema, his talent for balancing comedy with deeper thematic elements is once again laid out for everyone to appreciate, some more than others. Recommended for all types of viewers." Rating: B+
This movie features a cast of actors I generally enjoy watching, but it turned out to be a mess. The only standout performance came from John Cena, who fully committed to his character and brought some much-needed energy to the film. The main characters are depicted as despicable human beings, treating everyone around them poorly. The film tries to justify the protagonist's behavior by revealing an abusive background late in the story. This revelation feels like a cheap excuse to garner sympathy and forgive his dishonesty and mistreatment of others. For instance, there is no prior indication of the protagonist's abusive past until it becomes convenient for the plot, making it feel forced and insincere. The attempt to use child abuse as a justification for the protagonist's actions is poorly handled and comes off as classless. The film fails to provide a nuanced portrayal of how an abusive background might realistically affect someone's behavior. Instead, it uses the abuse as a plot device to excuse the protagonist's otherwise inexcusable actions. John Cena's performance is the movie's saving grace. He brings a level of commitment and charisma to his role that is noticeably absent in the rest of the cast. Cena's dedication to his character provides some genuine moments of entertainment in an otherwise disappointing film. The story and writing are weak, failing to create a cohesive and engaging narrative. The characters' actions often lack logical motivation, and the plot feels disjointed. The writers seem to believe that mentioning a character's traumatic past is enough to generate empathy, but without proper buildup and context, this tactic falls flat. The worst part is that it is astoundingly unfunny. This film is a disappointment despite its talented cast. The poorly executed story, unlikable characters, and insincere attempts at emotional depth make it a difficult watch. John Cena's performance is a rare bright spot, but it isn't enough to save the film from its fundamental flaws. For a more successful movie, the writers would need to focus on creating believable character arcs and a more coherent narrative. As it stands, the film fails to deliver on its potential and leaves much to be desired.
“Ricky Stanicky” is a prime example of wasted potential, featuring stupid writing, unrealistic characters, and a barrage of unfunny jokes that fall flat. Directed by Peter Farrelly, this film squanders its promising premise and talented cast on a juvenile and uninspired, off-color comedy that fails to deliver enough laughs or entertainment to justify its sad existence. This is a really, really bad movie. Twenty years after Dean (Zac Efron), JT (Andrew Santino), and Wes (Jermaine Fowler), three childhood best friends, created an imaginary scapegoat for their pranks and shenanigans, they still find themselves using the nonexistent Ricky Stanicky as an alibi for their immature behavior. After JT misses the birth of his first child due to yet another tall tale, their families get suspicious and demand to meet Mr. Stanicky. Panicked, the guys hired “Rock Hard” Rod (John Cena), a raunchy, washed-up celebrity impersonator from Atlantic City to bring their imaginary buddy to life. Rod takes his role far too seriously, which causes a lot of shenanigans to ensue, making the best friends wish they’d never created Ricky in the first place. It sounds like a slam dunk of a premise that would lend itself to comedy gold, but Farrelly totally blows everything about his film. While it works as a childhood prank, it feels utterly ridiculous and implausible when applied to adult characters with families and responsibilities. These are grown men, for crying out loud. Even worse, the film’s attempts at humor largely miss the mark, with most jokes and gags landing as total duds. Whether it’s the tired trope of bawdy rewrites of classic songs or the contrived scenarios involving Ricky Stanicky’s outrageous heroics, the comedy falls flat at every turn. Even the presence of a talented and charming cast can’t salvage the abysmal writing and lackluster execution. By: Louisa Moore / SCREEN ZEALOTS
A happy-go-lucky Shobhan tries to help his friend improve his love life until things become complicated for both of them and tests their friendship.
Everyone deserves a great love story, but for 17-year-old Simon Spier, it's a little more complicated. He hasn't told his family or friends that he's gay, and he doesn't know the identity of the anonymous classmate that he's fallen for online.
The third volume in a collection of the hottest gay shorts from around the world takes us from a teen’s dangerous affair with an older man, to a resurfaced love at a circuit party, an awkward first gay experience, a father and son’s tumultuous relationship, and the effects jealousy has on a relationship. The 5 shorts include: 1992 (2016); Just Me (2018); Silverlake Afternoon (2018); Tellin' Dad (2017), The Jealous Sea (2018).
A 2nd year student is assigned a handsome new roommate at the start of the school year.
Shin and Hung are close friends, but gradually Shin starts to have feelings for Hung. Hung decides to join a gay beauty contest in order to win USD 300,000 to pay his girlfriend's credit card debt. At the same time, an anti-gay cop, Jay, pretends to be gay and joins the contest to investigate a possible crime by an anti-gay group.
Brooklyn teenager Jeffrey Willis, thoroughly unhappy with his modest homestead, embraces the other-world aspects of his summer job at the posh Flamingo Club. He spurns his father in favor of the patronage of smooth-talking Phil Brody and is seduced by the ample bikini charms of club member Carla Samson. But thanks to a couple of late-summer hard lessons, the teen eventually realizes that family should always come first.
The bond between cousins is tested when one wins a fortune with the other's money at Atlantic City.
A warm-hearted comedy about a compulsive soccer mom who masquerades as a famous Italian soccer star hired to coach her daughter's floundering soccer team, then struggles frantically to keep her wacky charade going long enough to see the girls win their big tournament.