The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
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Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
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The Pushover 2024 - Movies (Jan 28th)
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The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
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Moana 2 2024 - Movies (Jan 27th)
Overkill 2024 - Movies (Jan 27th)
The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
Babygirl 2024 - ()
Moana 2 2024 - ()
Just listen. With your mind, your heart, your whole being. Jean-Claude Van Damme stars as Kurt Sloane, who after witnessing his brother getting crippled in a Muay Thai fight in Thailand, sets about learning the art himself so as to enact revenge on the sinister Tiger Tong Po who illegally put his brother in the wheel chair. Ah look, I don't see any point in writing about the market that Van Damme movies sit in, I think everyone knows that there isn't going to be great acting in these movies, the plotting will be straight and simple and the resolution will be prescribed to get a whoop and yee-haw response. I would think that as much as some highbrow film fans roll their eyes and look down their noses at these type of action movies, they do at least acknowledge the fighting artistry and choreography on show. They, you hope, stay away and leave the ass kicking fans and nostalgists to wallow in their cheese and beaten body pulp kingdoms. I mean why would an arty film lover seek out an early Van Damme movie anyway? I love Kickboxer, I really do, when I first caught it on release I could be found trying to do some of those wonderful Van Damme moves, rewatching the key moments over and over again, enjoying immensely the adrenalin rush that comes as we go slow-mo and Jean-Claude goes about dismantling uber bastard villain Tiger Tong Po (Michel Qissi). Now, well over twenty years later, I still get that rush, I can't do the moves, mind, I nearly put my shoulder out just punching the air in triumph as a mullet headed Dennis Alexio sticks his thumb up from his wheelchair, but all the thrills are still there, the skills on show still amazing. Hell, there's even a pet thread of substance, damn those animal threads, that cool dog better not get killed! Grrrrrrrr. Of course now, viewing with older and wiser eyes, you can see the clunkiness of the script, the lame-brained plotting and excuses for Van Damme to flash the flesh and show his dexterity. There's even one of the worst dance sequences ever put down on film, so bad I can't believe I never laughed out loud at the cinema all those years ago. Yet it's still a wonderful movie, often exhilarating, the thematics of second chances (Haskell V. Anderson III having a great old time of it as Winston Taylor), revenge and different cultures, these impact greatly on the picture. Then there's Dennis Chan as Xian Chow, giving Pat Morita a run for his money as the most fun cinematic Martial Arts trainer, the real location photography in Thailand, the training sequences and of course we get to learn about the ancient sport of Muay Thai. There's a lot of good here to off set the saggy cheese. There are some truly awful Van Damme movies out there, case in point Cyborg which was released the same year as Kickboxer, and without doubt the quality of Van Damme movies improved in the 90s as his stock began to rise and the budgets went higher. But this is a goody for his fans to lap up, a film to sit alongside Bloodsport as one of the two best action movies from his early body of work. And I love it so. 8/10
JCVD is not a good actor, but he is a fantastic martial artist, and he has shown that in a lot of movies. While there are moments here that demonstrated his skills, I can't help but feel a little disappointed. Some of the build-up I actually quite liked. Tong Po looked menacing and while the Winston Taylor character was a bit cheesy, he grew on me. I was not a fan of Eric Sloanes arrogance. I guess you need to have a bit of that when your champion, but he just did not feel real. Most of the film plays out more like a training montage before the big fight at the end. There were some fun training moments, but a lot of it felt quite boring to me and the added romance did not really work, especially when the acting is not great. I wish the final fight played out differently, it was extremely predictable and there was not much of a fight considering they tried to fix it. I just hoped for more than what I got. 5/10.
Cinema version of the 5 part TV series. During World War II, Stan Vandewalle saves boxing trainer Max from the bombed German war prisoners camp, and shoots two German soldiers while escaping. After the war, Stan resolves to put all his frustration over the death of his slow-witted brother Aloïs, who dreamed of becoming an opera singer, with his side-car against a farmer's truck in making come true Aloïs other dream, to see Stan becoming 'king of the world' as boxer.
Four Harlem friends - Bishop, Q, Steel and Raheem - dabble in petty crime, but they decide to go big by knocking off a convenience store. Bishop, the magnetic leader of the group, has the gun. But Q has different aspirations. He wants to be a DJ and happens to have a gig the night of the robbery. Unfortunately for him, Bishop isn't willing to take no for answer in a game where everything's for keeps.
Thrown naked into a desolate room with thirteen strangers, Tonya discovers that she is the final contestant in a deadly game. Restrained by lethal electronic collars, the players must utilize hints and tools from a box marked "pieces" to find both an exit and the reason for their abduction. One by one the players are eliminated as their "curfew" begins and the lights go out. With each dead body comes another clue, which they use to discover that one of them is the killer. The question is ... which one?
Charles, an attorney, and Helen, his devoted wife, seem to have everything – money, a beautiful mansion – the American Dream. However, as Helen prepares to celebrate their 18th wedding anniversary, her life takes an unexpected twist when she comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing her and kicks her out. Helen moves in with her grandmother Madea, an old woman who doesn't take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life. Helen is forced to rediscover love, life, and religion in her pursuit for happiness.
A rebellious youth, sentenced to a boy’s reformatory for robbing a bakery, rises through the ranks of the institution by impressing its Governor through his prowess as a long distance runner. He is encouraged to compete in an upcoming race, but faces ridicule from his peers.
A 707 aircraft jetliner, en route from Athens to Rome and then to New York City, is hijacked by Lebanese terrorists, who demand that the pilot take them to Beirut. What the terrorists don't realize is that an elite team of commandos have been called in to eliminate all terrorists on the jetliner.
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
Short film by Willy Bogner. Created as an advertisement for the 1997 Bogner ski clothing collection. Featuring alpine ski and snowboard champions. Filmed at St. Moritz, Switzerland and Island Lake, Canada.
Brussels, Belgium, 1959. Michel and Charly Kichka, two Jewish brothers, enjoy a happy childhood with their parents and their two sisters. Henri, their discreet and usually silent father, does not speak at all about his past, so they imagine that as a young man he was an adventurer, a pirate or a treasure hunter.
Feature length documentary examining the troubled life and tragic death of college football standout and talented NFL running back Lawrence Phillips, whose scars of childhood abuse and abandonment haunted him throughout his career.