Cascadeuses

A portrait of French filmmaker Michel Gondry, creator, for three decades, of an imperfect, astonishing, fascinating, damaged and poetic work.

A moving account, in his own words, of the personal life and work of the brilliant Czech filmmaker Miloš Forman (1932-2018): his tragic childhood, his major contribution to the cultural movement known as the Czech New Wave, his exile in Paris, his troubled days in New York, his rise to stardom in Hollywood; a complete existence in the service of cinema.

The incredible story of the mythical Russian-American actor and filmmaker Yul Brynner (1920-85), the most exotic sex-symbol since Rudolph Valentino; the story of the atypical destiny of an international nomad: from the Parisian cabarets to the stages of Broadway and the Hollywood studios. The rise to fame of a multidisciplinary genius who became a king of the screen.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

In the late sixties, Spanish cinema began to produce a huge amount of horror genre films: international markets were opened, the production was continuous, a small star-system was created, as well as a solid group of specialized directors. Although foreign trends were imitated, Spanish horror offered a particular approach to sex, blood and violence. It was an extremely unusual artistic movement in Franco's Spain.

On February 26, 1920, Robert Wiene's world-famous film The Cabinet of Dr. Caligari premiered at the Marmorhaus in Berlin. To this day, it is considered a manifesto of German expressionism; a legend of cinema and a key work to understand the nature of the Weimar Republic and the constant political turmoil in which a divided society lived after the end of the First World War.

The turbulent history of the twenty-five years during which, in the midst of Franco's dictatorship, Spain was turned into an immense movie set on which many foreign production companies shot dozens of films, from westerns to historical epics.

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

More than anyone in the cynical film industry, legendary artist Robert Redford embodies the United States' brightest side: perseverance, independence, idealism, and integrity. A champion of active environmentalism and the right to openly criticize any institutional abuse, he has put his artistic work at the service of his political commitments, whether as an actor, director, producer, or founder of the Sundance Festival, a formidable forum for his struggles since 1985.