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A bleak and somewhat beautiful piece, “Handling the Undead” had my curiosity the moment it was announced. The first act was great though, with a haunting and mesmerizing score, which is consistent throughout the film. The ending is BIZARRE though, and is haunting as well. Unfortunately, it drags throughout the middle, and the protagonists act about as human as the zombies. Have no idea how they managed to waste Renate.
Given how much I enjoyed Let the Right one In, I had high hopes for Norwegian production, Handling the Undead. Hopes that were slowly eroded, over the course of this film. Yes, I could talk about this being haunting and meaningful, on a vague and nebulous level but I wont. In reality, this essentially is a slow burn zombie film with an outcome no different from any other zombie flick. The key departure is this film is maudlin, lacks pace, an underlying meaning and is generally, downright depressing. I could have rated this down further but there is nothing wrong with the quality of the acting, cinematography, etc, its the underlying script, for me, that doesn't work. In summary, whilst Let the Right One in was amazing, I felt this is its antithesis. Without beating around the bush, trying to unearth some hidden meaning, in this reviewers opinion, its simply crummy. My advice, if you like zombie flicks, most are better than this.
Even at four times speed (MX Player won't play faster), it's excruciatingly slow. At least you get a few laughs, because a two-minute shot of an old guy walking looks hilarious in quadruple speed, or a three-minute trumpet solo or weeping session for the camera sounds tear-inducingly funny. I like slow movies with long shots when there's a script and a point to it, but this is just toe-cringingly pathetic and pretentious with zero talent or story to back it up. What a boring clown show. It also looks like poop. 90% of scenes have grays instead of blacks (even a scene where the entire power grid is down, and it's supposed to be pitch dark), and it looks like someone made an analog copy of a copy of a copy, dragged it through mud, and then scanned it. On the upside, it's time for bed, I've been having trouble falling asleep lately, but right now I'm almost nodding off while writing this.
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he's taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
A businessman with a disfigured face obtains a lifelike mask from his doctor, but the mask starts altering his personality.
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
In the 1930s, a sailor trying to prove that his brother was wrongly executed for murder finds himself becoming drawn into the occult world.
An upper-class Manhattan divorcee comes to believe that her brother is possessed by the spirit of a serial killer who beheaded young women in Spanish Harlem.
In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.
A policeman investigates a woman's link to murders that are preceded by a shrilling horn inside a family mausoleum.
Two middle aged German brothers - one New Age and recently divorced, the other uptight and sceptical - travel to a Zen monastery in Japan in search of enlightenment, or perhaps just in search of themselves.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.