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A bleak and somewhat beautiful piece, “Handling the Undead” had my curiosity the moment it was announced. The first act was great though, with a haunting and mesmerizing score, which is consistent throughout the film. The ending is BIZARRE though, and is haunting as well. Unfortunately, it drags throughout the middle, and the protagonists act about as human as the zombies. Have no idea how they managed to waste Renate.
Given how much I enjoyed Let the Right one In, I had high hopes for Norwegian production, Handling the Undead. Hopes that were slowly eroded, over the course of this film. Yes, I could talk about this being haunting and meaningful, on a vague and nebulous level but I wont. In reality, this essentially is a slow burn zombie film with an outcome no different from any other zombie flick. The key departure is this film is maudlin, lacks pace, an underlying meaning and is generally, downright depressing. I could have rated this down further but there is nothing wrong with the quality of the acting, cinematography, etc, its the underlying script, for me, that doesn't work. In summary, whilst Let the Right One in was amazing, I felt this is its antithesis. Without beating around the bush, trying to unearth some hidden meaning, in this reviewers opinion, its simply crummy. My advice, if you like zombie flicks, most are better than this.
Even at four times speed (MX Player won't play faster), it's excruciatingly slow. At least you get a few laughs, because a two-minute shot of an old guy walking looks hilarious in quadruple speed, or a three-minute trumpet solo or weeping session for the camera sounds tear-inducingly funny. I like slow movies with long shots when there's a script and a point to it, but this is just toe-cringingly pathetic and pretentious with zero talent or story to back it up. What a boring clown show. It also looks like poop. 90% of scenes have grays instead of blacks (even a scene where the entire power grid is down, and it's supposed to be pitch dark), and it looks like someone made an analog copy of a copy of a copy, dragged it through mud, and then scanned it. On the upside, it's time for bed, I've been having trouble falling asleep lately, but right now I'm almost nodding off while writing this.
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
Flying Saucer Rock N Roll is the debut feature film from the father-son duo Eric and Joe Callero. The year is 1957 as a group of rockabilly and beatnik teens are visited by weed smoking Martian zombies who have come to take their earth women. Filmed with respect for classic horror films and full of laughs as the viewer is taken on an adventure like no other.
Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
