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The Last American Vagabond - (Jan 18th)
Jesse Watters Primetime - (Jan 18th)
The Five - (Jan 18th)
Gutfeld - (Jan 18th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
After the third attempt to watch this film, I finally got through the first 15 minutes and am glad I did. There always seemed to be something to stop me from getting too far in. So, what did I think? "Is it entertaining?" Yes. For the most part, the songs were enjoyable and the animation was fine. The pacing could be improved somewhat, mostly by eliminated 2-3 songs. 2 out of 3 "Is it interesting?" Yes. The character backgrounds and the story development were easily above the average kids movie. The plot was a tad predictable and the moral seemed to meander some. 2 out of 3 "Is it memorable?" Somewhat. The most unique thing were the character types. While the animation was fine, some of the human facial expressions were just off enough to be slightly creepy. I am glad most of the movie had some of the main characters as animals. 1.5 out of 3 Start with 1. 1+2+2+1.5=6.5 I will round up for the overall enjoyment of the time spent. 7 stars.
I have some questions, I have some comments, both of which may come across as moderately hostile, but I still enjoyed _The Princess and the Frog_. I'm not too sure why though. I won't be coming back for the soundtrack, which is generally one of the biggest appeals of these Princess deals, and certain things are so *yawn* Disney that you can call them before you press play, but at least it's a little different. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Solid. 'The Princess and the Frog' makes for a good time. It's nothing incredibly different from the studio's other animated princess films, but still produces what you'd want from a film of this type. Anika Noni Rose works well in the lead role as Tiana, while it's pleasant to hear John Goodman as Big Daddy; albeit not as a major character. Keith David (Shadow Man) and Oprah Winfrey (Eudora), meanwhile, are welcomed cast members. The music is rather forgettable, though the (traditional) animation is nice. There's a few moments where it drags its heels slightly, but the pacing is mostly fine. It all comes down to whether you enjoy princess stories, given how predictable and formulaic they are. I'm nonplussed about them, to be honest. Mid-range Disney, for me.
When the eligible bachelor "Prince Naveen" arrives in New Orleans, he suffers quite a character change! It seems that the evil "Facilier" - straight out of "Live and Let Die" (1973) - has offered his butler the chance to swap places with his master, and his master is now a little green frog. As everyone knows, only true love's kiss can reverse the impact of a curse like this and so it falls to aspiring waitress "Tiana" to firstly be convinced that this talking amphibian is actually worth kissing, then when that tried and tested solution merely converts her into another green frog, they must both enlist the help of a trumpeter alligator and an enthusiastic and brave firefly to head into the deepest part of the bayou where an old blind witch might have the solution to defeat this blackest of voodoo magic. Thing is, though - the clock is ticking and the evil "Faciler" has enlisted his allies from the underworld to ensure that their predicament becomes permanent! This is a really jolly and characterful family adventure with some splendid and detailed animation and a fun score from Randy Newman that frequently gets the toes tapping. I could have been doing with a bit more of the nasty "Facilier" but I suppose Disney don't like too much of the baddie featuring in their movies - which is a shame as they are almost always the best! I saw this recently again on a big screen and it has much more of the traditional cartoon elements to it than many of the others made by this studio in the noughties. Short, sweet and entertaining.
Based on the bestselling book series, this outrageous comedy tells the story of George and Harold, two overly imaginative pranksters who hypnotize their principal into thinking he’s an enthusiastic, yet dimwitted, superhero named Captain Underpants.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
A comedy/musical utilizing both new songs and parodies from the original (Gilbert and Sullivan's Pirates of Penzance), as well as references to popular films of the time, including Star Wars and Raiders of the Lost Ark. In your typical boy meets girl, boy loses girl, boy fights girl with swords plot, the story revolves around Mabel ...
After the success of the live 1957 Cinderella on CBS (with Julie Andrews), the network decided to produce another television version. The new script hewed closer to the traditional tale, although nearly all of the original songs were retained and performed in their original settings. Added to the Rodgers and Hammerstein score was "Loneliness of Evening", which had been composed for South Pacific but not used.
Ollie Dee and Stannie Dum try to borrow money from their employer, the toymaker, to pay off the mortgage on Mother Peep's shoe and keep it and Little Bo Peep from the clutches of the evil Barnaby. When that fails, they trick Barnaby, enraging him.
A 17th-century witch returns to wreak havoc in the life of a descendant of the Puritan witch hunter who burned her.
Madrid, 1929. Emilia arrives in the avant-garde capital determined to study at the Royal Academy of Arts and become a painter. She wants to learn the technique to draw what her imagination conceives, a wild dream for a young provincial girl in a world where women can’t even attend an anatomy class. But Emilia wants to live in a world with room for her desires and aspirations. A world she will help to shape thanks to her courage and strength, but also thanks to the network of women she will meet at the Lyceum Club (intellectual salon) and the Residencia de Señoritas (the first women attending university in Spain). Women like Emilia who refuse to limit themselves to the margins of society.
Years ago, there was a place called The Land of Point, because everything in The Land of Point had one: the barns, the houses, the cars, everything, even the people. Everyone in The Land of Point had a point at the top of its head. Everyone, that is, except Oblio, who was born round-headed. Since he had no point, Oblio, along with his trusty dog, Arrow, was banished to the Pointless Forest. Join them to see what wonders await these two intrepid travelers as they make their way on their amazing, song-filled journey of discovery!
Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.