War of the Worlds Extinction 2024 - Movies (Mar 28th)
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Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
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One Killer Question - (Mar 29th)
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Horrible Histories - (Mar 29th)
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The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Where are you, João Gilberto? sets out in the footsteps of German writer Marc Fischer who obsessively searched for the legendary founding father of Bossa Nova and last great musical legend of our time, Brazilian musician João Gilberto, who has not been seen in public for decades. Fischer described his journey in a book, Hobalala, but committed suicide one week before it was published. By taking up Marc Fischer's quest, following his steps one by one, thanks to all the clues he left us, we pursue João Gilberto to understand the history, the very soul and essence of Bossa Nova. But who can tell whether we will meet him or not?
The story of Francisco, a very simple and poor man whose dream was to see his children become country music stars, and who made all the efforts to make it happen.
A panorama of Brazilian popular music from the 60s and 70s through the musical group Novos Baianos. A retrospective of the community lifestyle adopted by its members and the influence inherited from singer João Gilberto.
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
Documentary about Brazilian music circa 1969, with extremely rare scenes, such as the only color footage of Pixinguinha, images of João da Baiana, one of the fathers of Samba, Maria Bethânia rehearsing at Barroco nightclub, Baden Powell playing his acoustic guitar, Paulinho da Viola showing his masterpiece "Coisas do Mundo, Minha Nega", that he had just finished, and Márcia, a singer from São Paulo.
As the world boiled in the rush of Easy Rider bikes, in the frenetic pace of Elvis Presley, in Beatniks poets, in the explosion of counterculture, a boy from Bahia gave birth to Rock in Brazil. A runaway flying saucer that abducted the hearts and minds of thousands of fans, Raul Seixas, a man who became a myth. Raul died young because he lived intensely. Rock n 'roll, free love, alternative society, drugs, black magic, military dictatorship, women and daughters. A man who wanted to live from his work and died for it. The beginning, the end and the middle are confused, because the story is not over. The film reveals through rare images of archive, meeting with relatives, conversations with artists, producers and friends, the trajectory of the legend of Rock.
An irresistible journey through the universe of the singer and composer that revolutionized the song in Brazil and influenced generations of musicians, paving the way for movements such as Bossa Nova and Tropicália.
Film about the Bahian singer dives into the moment when shy Gracinha becomes Gal Costa, during the violent, innovative and mind-blowing years that helped shape Brazil's greatest singer.
Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.