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The One Show - (Mar 29th)
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Though I really did not much care for the busyness of this documentary, it does offer us a fascinating - and worrying - glimpse into the state of journalism in this most populated of democracies. It follows acclaimed anchorman Ravish Kumar who fronts the NDTV primetime news slot. His style of investigative reporting is to challenge the establishment on a range of legitimate issues and gradually, we see how the zeal of others makes his life a living hell. He is accused of being a traitor, amongst other things, and has a permanent police bodyguard as the threats to his person, his home and his family are real and violent. It is all the more concerning that, at a time when there is increasing clamour from some quarters for more state regulation around the world, it becomes clear that the state is not averse to a bit of censorship too. Though none of this is specifically proven here, the jamming of their transmissions, the investigations into their staff and the generally threatening nature of those with attitudes opposed to his free thought style of reporting has a chilling effect on not just us watching it, but on his colleagues who find themselves gradually tiring of the constant intimidation and the feeling they are banging their heads against a wall. Vinay Shukla also illustrates quite effectively that whilst the West is banging on about historical racism, the divides in this huge nation are current, visceral and largely based on religious lines - a sort of historically rooted religious sectarianism that is as irrational as it is unpleasant. There is a scene in which Kumar complains about too much information on the screen, and that is a flaw I would level against this production as an whole. It is far too hurried. The style of presentation is repetitive (how many opening links do we need to see?) and the constant use of the competitors broadcasts is effective for a while but loses context - you will probably have to be much more familiar with the Indian television market than I am to fully understand just who is who, and for what they stand - and a few moments of explanation at the top would have helped enormously. That said, though, Kumar comes across as a considered and responsible man determined to keep the agenda based on what actually matters to the people of his country, and not just to the jingoistic - and though set in the vibrancy of India, this could apply just as readily in territories where the media emphasis is capable of corrupting the debate and, potentially, the lives of many.
"Discover Dr Anil Prakash Joshi's Himalayan journey in 'A Son Of Himalaya". From rural roots to ecological visionary, witness his symphony of sustainability, GEP innovation, and the transformative power of nature's whispers.
A memoir celebrating yesteryears of cinema and how silver screen has evolved over the years, this documentary is ode to cinema by the audience, for the audience.
Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
The revolution is here. Witness gully rap rises from the streets of Mumbai to the biggest stage in the history of Indian hip-hop. This is an Amazon Prime Exclusive documentary on film Gully Boy's music launch and concert in mumbai.
The movie traces three real-life incidents that took place in '80s, 90s and 2000s respectively through the stories titled 'Orphan and the Convict', 'The Farmer and the Nun' and 'The Terror and the Mom'.
Story of 2 brothers where everyone respects them out of fear, where even police hesitate to bother them. A land ruled by Amarpal Singh & Samarpal Singh. Vikram wants to run for the college election & being the son of Amarpal Singh everyone in college fears him, no other student dares to run for the election opposite him, but Shiva decides to choose a candidate who will be running against Vikram.
Director Shah Krishna compiled this compelling documentary of Indian cinema after spending two years searching through film archives from all over the world. Included are films from the turn of the 20th century through the 1970s to illustrate various schools of filmmaking and the historical progression of the art form.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
Dalits, in the Indian caste system, belong to the lowest social sphere and are therefore subject to regular discrimination and violation of their basic human rights. Also referred as “untouchables,” this group was vindicated by B. R. Ambedkar, a Dalit who earned doctorate degrees abroad and fought for the emancipation of his people. In 1997 a statue honoring him was desecrated, unleashing the rage of the Dalit community, but instead of getting support by the authorities, ten persons were murdered. This documentary took 14 years to be made and it captures the music and poetry of this people, showing a tradition against superstition and religious bigotry that has strived since the times of Buddha.
