All in Good Time

A domineering matriarch is less than happy when her son brings home his new bride. She immediately sets to work at sabotaging their marriage as well as the engagement of her younger and weaker son.

A young couple struggling against poverty must keep their marriage a secret in order for the husband to keep his job, as his boss doesn't like to hire married men.

Wholesome comedy about newlyweds (and the bride's understanding-but sometimes interfering-parents) discovering married life isn't always bliss.

HBO Standing Room Only presentation of the 1981 stage revival. From the Neil Simon Book. New Yorkers Paul Bratter and Corie Bratter née Banks have just gotten married. He is a stuffed shirt just starting his career as a lawyer. She is an independently minded free spirit who prides herself on doing the illogical purely out of a sense of adventure

Gary, who has just married Samantha, the woman of his dreams, discovers that her six-year-old son may be the Antichrist.

In this early mother-in-law comedy, a bride’s mother insists on managing the private lives of the newly married couple—to the point of sleeping with them.

Two newlyweds decide to build their dream home, and hire an old friend named Yanagisawa to design it. Unfortunately, Yanagisawa isn’t licensed to build homes, so they call in the wife’s father, a retired carpenter, to help out. When Yanagisawa’s contemporary ideas clash with the old carpenter’s traditional Japanese methods, the project becomes a huge mess.

Office worker Takashi shares a drink one night with two women: Ryoko and Sakura. Fate intervenes and he subsequently ends up marrying Sakura. The newlywed couple move into Takashi’s family home (shared with his sister, father and grandfather), but Sakura’s nymphomaniac sex drive soon starts to cause tensions.

A schoolteacher and amateur sleuth suspects foul play when a fellow passenger on a seaplane gets sick and dies. The third and final film with Edna May Oliver and James Gleason as the astute schoolteacher Hildegarde Withers and the New York Police Inspector Oscar Piper busy solving crimes.

After a whirlwind romance with a wealthy widower, a naïve bride moves to his family estate but can't escape the haunting shadow of his late wife.

A young newlywed (Robert Sterling) finds working for his nasty father-in-law difficult.