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I was the first born and mom and dad really didn't believe in censorship growing up, as a result I saw a lot of movies that are probably inappropriate for my age. Most of the time I can honestly say that they had no real effect on me... ...but the parts of this movie traumatized me as much as Bambi and Old Yeller. I just recently tried re-watching it, and had to shut it off because I remembered what was coming. Poachers. I'm almost 40, I can watch truly horrific movies where humans are harmed in the worst possible ways, but I still can't make it through Gorillas in the Mist. However, what I can watch I always like. I firmly believe that (aside from the Alien movies) this is one of Weaver's absolutely best roles. That being said, if you can sit through it, bully for you, it is worth it.
"Gorillas in the Mist" is a very worthwhile film and it perfectly highlights Dian Fossey's occasionally groundbreaking work. She actually managed to integrate herself into the mountain gorilla community - this results in some superb shots of the mountain gorilla in its natural habitat and it is genuinely difficult to differentiate between what could possibly be mechanical special effects and the real great apes - and it soon begins to seem as though her gradually all consuming work supersedes many other aspects of her life (she even begins to refer to the gorillas and the mountain they live on as her own) and she willingly sacrifices a blossoming romance with the photographer Bob Campbell in order to stay on the mountain with the gorillas to study them. Dian Fossey achieved recognition through her work and this film ends with the fact the gorilla population continues to multiply as the enduring spirit of her accomplishments lives on, but this coda is juxtaposed with the sobering knowledge that her untimely death remains a mystery.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
In the poverty-stricken favelas of Rio de Janeiro in the 1970s, two young men choose different paths. Rocket is a budding photographer who documents the increasing drug-related violence of his neighborhood, while José “Zé” Pequeno is an ambitious drug dealer diving into a dangerous life of crime.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
Four teenagers at a British private school secretly uncover and explore the depths of a sealed underground hole created decades ago as a possible bomb shelter.
At the start of the First World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.
Detective John Shaft travels incognito to Ethiopia, then France, to bust a human trafficking ring.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.