War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Critters 2 leans a bit more into the silliness of the series. Not to say that the original was a bleak take on gritty realism, but it did seem to take the danger a fraction more serious. It's not something that works particularly for or against the sequel, it's just a slight change, one that makes sense even. Establishes a real inter-connectivity in the franchise (that Critters would basically hold on to all the way up until that most recent one, which took some pretty wild liberties). Final rating:★★★ - I liked it. Would personally recommend you give it a go.
The first "Critters" movie was a low-budget little monsters sci-fi/horror film that, despite its limitations in money and tech, still managed to strike the right chord in balancing the sci-fi, horror, suspense, and comedy elements, even with a PG-13 rating (despite its theme, only two people actually die in the first movie). Unfortunately, despite the fact that you can see them trying really hard to recapture it, "Critters 2" falls short of the mark. A couple of issues lead to this conclusion. First, despite this film's budget being double that of the first, it doesn't really show. Most of it must have been blown on extra puppets, as this time there's supposedly hundreds of Crites running around causing havoc. Which is weird because, honestly, the Crites feel like they barely have any actual screen time since the plot is also now divided between the attack of the Crites and the townspeople not believing the story of their previous attack and even blaming the attacks on the boy from the first film who has returned to town. Which leads to the second problem. In the first film, there was an effort to give the Crites some semblance of character. While still voracious eating machines, they still have some minimal interaction with each other and the environment, which fleshes them out a little more. Here, even though we see them talk a couple times (in their own language), it's little more than a one-liner here and there. There's too many of them with no standouts or leaders to give them any character at all. This all ends up making for a rather dull sequel to a surprisingly entertaining first film. Ultimately, it's not a worthy follow-up.
**_Effectively continues the story, but it’s not as good as the first movie_** It is reported that Crites are still present on Earth, so Ug (Terrence Mann) and two other galactic bounty hunters return to wipe them out, including earthling misfit Charlie (Don Keith Opper). Brad (Scott Grimes) just so happens to be in town when they visit the planet. Along with his new girlfriend (Liane Curtis), they team-up to eradicate the extraterrestrial menace of furry critters. “Critters 2: The Main Course” (1988) has several highlights, but it’s just no where near as good as the original film from two years prior. For one thing, it’s more cartoonish and goofier, which makes it difficult to suspend disbelief as could be done with the first one. On the positive side, winsome Liane Curtis (Megan) is superior to the actress who played the young female in “Critters,” but the director failed to take advantage of her presence. Statuesque blonde Roxanne Kernohan is entertaining as a ‘playmate’ of whom bounty hunter Lee takes the appearance. Her brief top nudity is surprising for a PG-13 flick. Unfortunately, Roxanne would be deceased in just five years due to a car wreck. Speaking of bounty hunter Lee, this ‘nothingface’ alien combined with his partner, Ug, results in the team Ug-Lee. Get it? There are enough amusing bits to make this worth catching if you liked the first movie, such as the giant ball of critters rolling over a guy and leaving only his bloody skeleton. It’s just a letdown by comparison. It runs 1 hour, 26 minutes, and was shot in Santa Clarita, California, which is located 32 miles northwest of downtown Los Angeles. GRADE: B-/C+
'Critters 2: The Main Course' is more of the same, which is good for a sequel of this type. I wasn't anticipating much but it's solid enough, if you like the first flick then I'd be surprised if this disappointed you. I did rate the original, so go figure. Scott Grimes is the standout, in my opinion, from the first release, here he takes a bit more of a back seat (if still the lead) as it's practically an ensemble. Liane Alexandra Curtis does well, as does M. Emmet Walsh replacement Barry Corbin. There aren't any cast issues, that's for sure. I felt like we got more of the titular characters in this, which is something I wanted. The effects still look very good, like last time I do enjoy the little pieces of dialogue that the critters get; especially the 'uh ohs'. Elsewhere, we get added blood and nudity for this follow-up... Now to see if lightning struck thrice with the third installment, which features the film debut of a Hollywood great.
A developmentally disabled boy's life changes after he encounters an extraterrestrial being.
The Earth is invaded by alien parasites—AKA 'slugs'—that ride on people's backs and control their minds.
A prototype enhanced human, on the run from Chinese-hired hit men, hooks up with a dread-locked bystander, and the two of them elude their pursuers narrowly each time.
An unmonitored clandestine research project suffers a "technical malfunction" and each of the isolated volunteers must devise an escape plan or face certain death.
A small but growing Texas town, filled with strange and musical characters, celebrates its sesquicentennial and converge on a local parade and talent show.
Longfellow Deeds lives in a small town, leading a small town kind of life. When a relative dies and leaves Deeds a fortune, Longfellow moves to the big city where he becomes an instant target for everyone. Deeds outwits them all until Babe Bennett comes along. When small-town boy meets big-city girl anything can, and does, happen.
When flesh-eating piranhas are accidently released into a summer resort's rivers, the guests become their next meal.
The sequel to the cult classic August Underground is a character study in the sick, an amoral putrid fantasy. The found footage contained in August Underground’s MORDUM documents extreme deviant sexuality, torture and murder, while unfolding a classic tale of a man and woman in love. However, the woman cannot give up her other lover, who also happens to be her younger brother. August Underground’s MORDUM will vomit all over you and leave you for dead!
The local sheriff of Dead River, Maine, thought he had killed them off ten years ago - a primitive, cave-dwelling tribe of cannibalistic savages. But somehow the clan survived. To breed. To hunt. To kill and eat. And now the peaceful residents of this isolated town are fighting for their lives...
A woman seemingly dies of fright after participating in a séance where she sees a vision of a Dunwich priest hanging himself in a church cemetery. New York City reporter Peter Bell investigates and learns that the priest's suicide has somehow opened a portal to Hell and must be sealed by All Saints Day, or else the dead will overtake humanity.
A violent fugitive on the run from the law makes his way from Hong Kong to South Africa, where he discovers that he's immune to the Ebola virus, and later returns home to spread the deadly disease.