Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
The Beat with Ari Melber - (Feb 26th)
Mythic Quest - (Feb 26th)
Prime Target - (Feb 26th)
Love You to Death - (Feb 26th)
Berlin ER - (Feb 26th)
Moonshiners - (Feb 26th)
Fixer to Fabulous - (Feb 26th)
Finding Your Roots - (Feb 26th)
Night Court - (Feb 26th)
FBI- International - (Feb 25th)
The Fear Clinic- Face Your Phobia - (Feb 25th)
Independent Lens - (Feb 25th)
Top Guns- Inside the RAF - (Feb 25th)
The Bold and the Beautiful - (Feb 25th)
Tipping Point - (Feb 25th)
Come Dine With Me- South Africa - (Feb 25th)
Beyond the Gates - (Feb 25th)
Four in a Bed - (Feb 25th)
**A film very experimental and devoid of meaning, but with some notes of quality.** I didn't like this film. It's a low-budget film, directed by Rémy Belvaux, which basically makes a kind of false documentary around the criminal and violent activities of a cruel and bloodthirsty killer, who accepts being filmed while he kills his victims. A film that looks like an academic work by a film student, and not something made for the public. It will certainly be an interesting film for film students and cinema critics, but it is not something I recommend to the general public. The film has frankly positive points, starting with the excellent performance of Benoit Poelvoorde, who plays the main character and is the only character worthy of the name here. Everything else is extras or people who simply have to appear there. The realism is impressive and, at times, shocking, and the cinematography, in black and white, is very good and worked with creativity by the director. The film's biggest problem is the feeling of amateurism and experimentalism that is felt at various moments. It's also one of those extremely violent films where everything happens without there really being a reason, a reason for being. Much of the film is a succession of violent crimes where there is nothing more than purposeless violence. The killer kills because he does, and it seems that the journalists following him are also filming because they have to film something.
One of the most amateur movies I have laid my eyes on. This entire movie is an agonizing display of the directer/writer's alter ego, over acted and over the top with violence. Everything feels pointless, and the ending really exasperates that. Also, as a warning there's an entire gang rape scene.
The quiet family life of Nels Coxman, a snowplow driver, is upended after his son's murder. Nels begins a vengeful hunt for Viking, the drug lord he holds responsible for the killing, eliminating Viking's associates one by one. As Nels draws closer to Viking, his actions bring even more unexpected and violent consequences, as he proves that revenge is all in the execution.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media's cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
A young boy tells three stories of horror to distract a witch who plans to eat him.
Everybody has problems these days, and Cheech and Chong are no exceptions. They're hired by Slyman and Habib to drive a limousine to Las Vegas with $5 million secretly stashed in the front seat. In order to get there, the pair sells off the car piece by piece, including the seven-figure front seat. Cheech and Chong then have a much bigger problem - Slyman and Habib are after them, swearing to kill them after the appropriate torture.
Alan Bleasdale's comic crime caper for Channel 4 about a former getaway driver desperate to leave his life of crime behind. Featuring Alfred Molina, David Ross, Amanda Mealing, Andrew Schofield and Julie Walters. Raymond Murtagh's Requim Apache tells the story of Hamish, who was once one of the criminal underworld's best getaway drivers. Now a new father and retired to the Suffolk countryside, he has to watch the baby at home alone. However, Hamish's peaceful and idyllic new life is shattered when his past rears its ugly head once again, and the old gang comes over for a visit. They make him an offer he dare not refuse to take on one last bank job. However, with no babysitter available, he is forced to take the baby with him.
A reality TV program selects six contestants to participate in a free-for-all, no holds barred deathmatch, where they must skillfully outwit and kill each other in order to be the last person alive.
The story of two lads from Belfast as they stumble their way through the London gay underworld in search of 'gainful employment'. This being the offering of sexual favours to older gay men in order to subsidise their respective giros. 9 Dead Gay Guys is a high-camp send-up of gay stereotypes.
Story of five friends Raja (Deepak Raj Giri), Saraswoti (Jeetu Nepal), Magne (Kedar Ghimire) and Buddhi (Buddhi Tamang). Raja is rich but illiterate and enjoys life, and tells his friends to not get married or hold any job. However, he secretly has affairs with married women.Then one day Raja gets married to Champa (Priyanka Karki), and the story enters a serious mode.
State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.
The working-class Smiths change their initially sunny views on World War I after the three boys of the family witness the harsh reality of trench warfare.