Commedia dell'arte

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

When a beautiful first-grade teacher arrives at a prep school, she soon attracts the attention of an ambitious teenager named Max, who quickly falls in love with her. Max turns to the father of two of his schoolmates for advice on how to woo the teacher. However, the situation soon gets complicated when Max's new friend becomes involved with her, setting the two pals against one another in a war for her attention.

Elyot Chase and Amanda Prynne are glamorous, rich, reckless…and divorced. Five years later, their love for one another is unexpectedly rekindled when they take adjoining suites of a French hotel while honeymooning with their new spouses. This chance encounter instantly reignites their passion, and they fling themselves headlong into a whirlwind of love and lust once more, without a thought for partners present or turbulences past. This Chichester Festival Theatre production of Noël Coward’s Privates Lives was filmed live at London's Gielgud Theatre.

"Pensées d'Alexandrie", "Bises du Caire" ... It's summer. They took their car, drove in coaches, flew in planes and visited camera in shoulder strap some distant country bristling with monuments and other "things to see", such as Egypt, Greece, India or Bordeaux. So as they are bored a bit far from their home sweet home, the Rouchon write to Brochon and vice versa - we are polite all the same! They send postcards not stung from the beetles. In these letters from the front of the leisure society, François Morel as a "melancholy mocker" has fun with often tender humor, sometimes biting, of this irrepressible need to change scenery to finally eye with a weary eye the pyramids and all those centuries that contemplate you while thinking of the evening meal (wine is free and at will) and the friends who have stayed in the country.

François Morel-Raymond Devos, Raymond Devos-François Morel, and the loop has come full circle! Because the actor's new creation, Molière 2019, borrows from the illustrious artist the title of one of his famous sketches in which he questions the universe, the madness of existence, the incommunicability with his unequaled talent. Fascinated by this great clown with "a touch of madness capable of blocking the well-oiled mechanics of logic, reality, everyday life", François Morel immersed himself body and soul in his texts to invent a musical show in his homage . Devilishly cheerful! 100 ème représentation au Théâtre de Caen

After being dumped by her live-in boyfriend, an unemployed dancer and her 10-year-old daughter are reluctantly forced to live with a struggling off-Broadway actor.