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**_Cabin-in-the-swamp… where witches dwell_** A team of paranormal investigators venture deep into the swamps of Louisiana to find out why numerous young females have been found dead, drained of their blood. They’re unaware that a sabbat-master lives there. Will any of them make it out alive? “The Witchmaker” (1969) came in the tradition of films like "The City of the Dead” (1960), "Masque of the Red Death" (1964), "Devils of Darkness" (1965) and “The Witches” (1966), aka “The Devil’s Own.” That last one took the topic a step further by depicting a devilish ceremony more explicitly, which might strike modern viewers as cheesy and amusing. This one does a better job with a surprisingly well-done black ceremony in the last act (which smacks of a hedonistic Viking celebration more than anything else). I included the year of release of those flicks to show the cinematic progression of witch-oriented movies in the ’60s. “The Crimson Cult” from 1968 is yet another example, aka “Curse of the Crimson Altar.” "Mark of the Witch" came out the year after this one, 1970. Then came “The Brotherhood of Satan” and “Race With the Devil” in the early/mid ’70s. LQ Jones was involved in the production of this one and “The Brotherhood of Satan.” He even appears in both, although his role here is uncredited. Now, someone might criticize that I’m mixing up witchcraft with satanism, but so do all of these movies. Take this one, where an idol of satan is used in their diabolical ceremony. On the feminine front, blonde Thordis Brandt is sharp as Tasha and Sue Bernard is notable as Felicity (you might remember her as the winsome bikini girl in “Faster, Pussycat! Kill! Kill!” from 3 years prior). Brunette Warrene Ott is also worth noting as young Jessie. There are others but, for the most part, the director didn’t know how to shoot women (no pun intended), such as was done passably in “Mark of the Witch.” The ending is kinda eye-rolling but, otherwise, this is way better than I thought it’d be for such an obscure occult-oriented flick from the ’60s. It runs 1 hour, 39 minutes, and was shot in Marksville, which is in the heart of Louisiana; interiors, however, were done in the studio in Los Angeles. GRADE: B-
A mother desperate to reconnect with her troubled daughter becomes embroiled in the urban legend of a demonic witch.
After Ingrid leaves John, he allows himself to be pulled into a mystical and scary world where it is impossible to separate truth from lies.
London is terrorized by a vicious sex killer known as The Necktie Murderer. Following the brutal slaying of his ex-wife, down-on-his-luck Richard Blaney is suspected by the police of being the killer. He goes on the run, determined to prove his innocence.
A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
Laurie and Hugh are a successful young couple who have just closed on a weekend home away from the city. Unbeknownst to them, the neighboring property contains the crumbling remains of a boarding school that was shuttered in the wake of an unspeakable massacre. The sole survivor of that massacre still resides in the ruins of the school, hiding from the world and wanting only to be left alone. When Laurie and Hugh's friends explore the property, they have no idea that they disturbed an emotionally-broken killing machine: The Blood Widow.
While a group of young actors rehearse a new musical about a mass murderer, a notorious psychopath escapes from a nearby insane asylum.
After a former model is drowned in her bathtub, Detective James Halloran and Lieutenant Dan Muldoon attempt to piece together her murder.