Ruka

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Guillaume kills Horacio "because he was shouting too loud." At his trial, the vacuity of the motive disconcerts. During his 10-year-long stay in prison, Guillaume gradually forgets this story of a guy shouting too loud which convinces no one. When he gets out, someone starts shouting again.

40-something Tom has his boyfriend Mikey move in. What seems like domestic bliss at first gives way to creeping dread as a malevolent spirit makes itself known. This gay ghost will stop at nothing to get close to Tom, even if that means eliminating Mikey.

"Mind the Gap!" says the voice on the subway. Vilhelmina thinks so much about the gap that she doesn't get off at the station, but into another dimension.

A lonely cremation attendant steals a kiss from a beautiful, young body. She wants it back.

Lucy and Viv clean up messes for the county, and they're having a bad day. Viv's husband has just left her, and supervisor Lucy struggles to figure out how the two will make their numbers or lose their jobs. On a routine stop, the ladies are led into a very remote area... (Screamfest)

It’s a Date is a culmination of his preoccupations, a weird but humanistic look at a couple on a first date. It seems to be going well until the man decides to really open up and get (sur)real.

Moto Perpetuo shows an absurd picture of our neverending changing culture and history.