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FBI- Most Wanted - (Feb 26th)
All In with Chris Hayes - (Feb 26th)
The Rachel Maddow Show - (Feb 26th)
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Top Guns- Inside the RAF - (Feb 25th)
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The worst movie of 2024 I know that sounds like hyperbole, but Carry-on truly is one the dumbest most asinine movies ever made. The movie is completely devoid of any logic and sense. The plot is idiotic to say the least and the same can be said for everything done by the characters. I know movies can take artistic freedoms some times, but when you have among other equally brain dead moments scenes of gunshots in airport bathrooms, inside airplanes and stabbings in the middle of busy airport lobbies and nobody somehow magically notices this nor is at all worried about this or the TSA agent acting all erratically you are acting a bit too much of the viewer. I have to say I did have to laugh at how surreal and stupid the scene is where the lead's girlfriend is talking to him in the middle of a airport lobby and a big old red dot appears smack on her forehead and nobody notices anything. Trust me you don't want to watch this movie. 2024 has been a terrible year for movies, but Carry-on is my nomination for the worst movie of 2024 with zero redeeming factors.
**Stay away, you have been warned!** This movie was so absurd that I felt compelled to write this review to warn others. From start to finish, it’s a series of implausible and downright ridiculous events. The portrayal of airport security in particular is laughably unrealistic. I hardly know where to begin, but here are just a few examples: there’s a gunfire incident in the airport bathroom that somehow goes unnoticed, a TSA officer is stabbed in a public area with no reaction from anyone, and a random guy drives his van around the airport like it’s his personal property. These are just a few of the endless, nonsensical scenes that will leave you shaking your head in disbelief. To make matters worse, the protagonist makes one frustratingly foolish decision after another, leaving you more annoyed than invested. It’s almost as if the movie is determined to test your patience at every turn. This is, without a doubt, the dumbest movie of the year. It doesn’t deserve more than 1 star, and I’m baffled that it has a rating above 6—it’s a joke. Save yourself the frustration and skip this one.
Jaume Collet-Serra’s "Carry On" is a holiday action thriller that blends sharp direction, engaging storytelling, and great performances. The movie’s attention to detail is exceptional, with every scene serving a purpose. Its tightly woven plot moves briskly, delivering compelling twists without unnecessary fluff. This refreshing approach ensures an engaging experience. Egerton’s performance stands out, portraying a mix of vulnerability and tenacity that makes Ethan relatable. Jason Bateman excels as the chilling antagonist. The emotional depth brought by Collet-Serra’s direction ensures you’re invested in the characters. The cinematography adds to the tension, with creative shots and dynamic angles enhancing the airport setting. Memorable scenes and immersive visuals elevate the story, making the film a visual treat. "Carry On" balances its thrills with genuine emotion, offering a gripping, high-stakes narrative about choices and resilience. It’s a smart, thrilling ride that’s well worth the time.
This guy is so dumb. This movie is so long. I suppose you could take a drink every time a gotcha moment happens. That could get you quite drunk and maybe then you'd not care about how dumb it is. Strong drinks. It's fine though. Lots of neat phone calls and shots of surveillance.
Worst film in the franchise. I mean, where are Sid James’ laugh, Kenneth Williams’ innuendos, and Hattie Jacques’ stern glare?
'Carry-On' is a movie that gave me the required entertainment, I found it all to be extremely watchable. There are one or two moments within the first hour that had me questioning how they were going to stretch interest for events onscreen for just short of two hours, but pleasantly they most certainly do. Taron Egerton and Jason Bateman give excellent performances, I think even without just one or the other the film wouldn't work as nicely - they are the keys to its success, for me. That's not to say it's a production that only relies on its acting talent, because this felt well written; they make the predicament/actions of the characters justified. I have no doubt that the film uses plenty of artistic licence, as per with movies, but that's something I have zero issue with - as long as it makes the plot more enjoyable, which most definitely is the case here in my opinion. Going back to the cast, nice to see Dean Norris involved; Danielle Deadwyler and Theo Rossi are positives as well. Best way to sum this up: 'Die Hard' meets 'Toy Story 2'. I mean, come on, who doesn't wanna see that?!
"_Airports turn people into such dickheads._" You give me Bateman as a villain, and Egerton as a hero and I am sold. Airports suck so it is fun seeing all the chaos breakout and rules being broken but I wouldn't call this a masterpiece. It's a fun thriller for the holidays, and sometimes that is enough.
What do you do if you look like the girl in the nude photo? Exactly one year after the sudden death of her twin sister Sara, Ines's life is turned upside down again when she receives an email containing a nude photo of Sara. Sender: A blackmailer who plays the game hard. In one evening Ines will discover the dark secrets of her twin sister.
An armored-car guard must join a robbery after being caught with his ex-wife by her gangster husband.
Paul Kersey is again a vigilante trying to find five punks who murdered his housekeeper and daughter in Los Angeles.
When a prominent art dealer is found murdered, the man's death leads to an intriguing investigation steeped in sex, corruption and crime. District Attorney David Corelli gets assigned to the case and discovers that a key suspect is his ex-lover Katrina Gavin, a beautiful psychologist who has settled down with his old friend and peer. As Corelli gets deeper into the case, he uncovers dark secrets with far-reaching implications.
Ted Kennedy's life and political career become derailed in the aftermath of a fatal car accident in 1969 that claims the life of a young campaign strategist, Mary Jo Kopechne.
Kevin, Sam and Rob have an unusual hobby: planning foolproof heists, without intending to actually perform them. The game goes wrong when their latest plan is stolen and carried out. Things get even worse when a mysterious man approaches them with an offer: plan a heist for him, or go to jail. As the clock ticks, they find that the risk might be higher than just their freedom.
Interweaving stories of four different women involved in the sex industry offers a glimpse into the dark underbelly of Los Angeles and the taboo lifestyle of a sex worker. A teen runaway, single mother and two career escorts interconnect through their own personal journeys filled with loss, betrayal and the struggle to survive. Written by anonymous
A powerful entrepreneur wants to build an exclusive resort hotel in Villanova, but he discovers the location he has in mind is protected by local land-use regulations. He hires Maria, a beautiful and elegant prostitute, to seduce the mayor, leaving him open to blackmail if he won't give the entrepreneur what he wants. Maria has no trouble twisting Meireles around her finger, but police detectives Madeira and Neves get wind of the plan and set out to expose the plot...
A sheriff's deputy fights an alternate universe version of himself who grows stronger with each alternate self he kills.
Joe Moore has a job he loves. He's a thief. His job goes sour when he gets caught on security camera tape. His fence, Bergman, reneges on the money he's owed, and his wife may be betraying him with the fence's young lieutenant. Moore and his partner, Bobby Blane, and their utility man, Pinky Pincus, find themselves broke, betrayed, and blackmailed. Moore is forced to commit his crew to do one last big job.
Various interconnected people struggle to survive when an earthquake of unimaginable magnitude hits Los Angeles, California.