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A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
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Controlling My Husband 2024 - Movies (Feb 19th)
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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
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Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
If your the sort of person who won't enjoy a thing because it is "problematic" then I'd recommend giving _100 Girls_ a wide, wide berth. If that's not an apt description of your tastes, then I'd... Probably still recommend you miss _100 Girls_. Even if you don't take into account the film's **bizarre** level of obsession with gender dichotomy, the saccharine moments of "heroism" that are at best dated and at worst genuinely damaging, and even if you discounted the weird, uncomfortable roles characters' relationships take, then all you're left with is a bland, hackneyed plot without any real character development and a **massive** disconnect between message and arc. I'm not saying that _100 Girls_ could never have worked (although for some viewers I'm sure that will be the case), I'm just saying it doesn't.
Really good watch, would watch again, and can recommend. I like the mystery aspect of this romantic comedy, while it is somewhat unrealistic, it's somewhat refreshing to have a legitimately "good" guy concept. Legitimately getting to know 100 girls is quite the effort, and while the actual mystery isn't so complex, it definitely lends to a lot of character work during his sleuthing. Jonathan Tucker looks like a poor man's Joseph Gordon Levitt, meant a complimentary as possible, but does really well leading the movie without carrying it. The ladies (and James DeBello) pick up plenty of weight and we see some familiar faces: Larisa Oleynik ("Secret World of Alex Mack", "10 Things I Hate About You"), Katherine Heigl ("27 Dresses"), Jaime Lee Pressly ("Mom", "My Name is Earl"), and Emmanuelle Chriqui ("You Don't Mess With the Zohan"). Cast is good, the writing is solid, the delivery is charming, but the concept lends to a lot of throw away material. This is probably true of most mysteries, but there is little one clue leads to the next in this: it's mostly 99 dead ends. They do some cute work at the end of the movie to alleviate some of that, but by then, the actual story is over, and even I checked out. Great little rom com, they let the jerk guy be a side character this time, and I think it is very much worth the watch.
Not really that great of a movie but it's reall funny. I was laughing a lot in this movie. It's worth a watch.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
A self-assured businessman murders his employer, the husband of his mistress, which unintentionally provokes an ill-fated chain of events.
In Babel, a tragic incident involving an American couple in Morocco sparks a chain of events for four families in different countries throughout the world.
When Isabelle and Theo invite Matthew to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and everything is possible.
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
The films spans two decades as the story unfolds in a series of flashbacks that begin when Qiyue and Ansheng were just thirteen. The two became inseparable until they met a boy who ended up tearing their lives apart.
This is an educational short released by the Los Angeles Public Library explaining what to expect when you get your first period.
Kim Ji-young, an ordinary woman in her 30s, suddenly shows signs of being inhabited by other women from her life, past and present.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.