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FULL SPOILER-FREE REVIEW @ https://thatshelf.com/the-starling-girl-review/ "The Starling Girl addresses the impact of religion on young women's lives, particularly tackling how sexuality, love, freedom, and personal identity relate to fundamentalist pedagogy. A solid directorial debut by Laurel Parmet, deeply exploring a self-discovery arc by a compelling protagonist who represents countless women taught and forced to hide and fear much of what defines them as human beings with feelings, desires, and dreams. An empowering, insightful story elevated by an underappreciated cast, including a career-best performance from Eliza Scanlen." Rating: B
What’s required to attain acceptance from others? That’s a tricky question, especially for those who are going through the coming of age process. It can be even more confounding for those who are part of a community that demands rigid conformity on an array of fronts. So it is for 17-year-old Jem Starling (Eliza Scanlen), a questioning young woman from a small Kentucky fundamentalist community. She wants to fit in, but she also endeavors to know herself, a quest that carries with it some puzzling yet innate contradictions, many of which are brought front and center when she begins to develop feelings for her married youth pastor (Lewis Pullman), a connection based on emotions that turn out to be mutual. But what is Jem to do – follow her heart or squelch the burgeoning passions surfacing within her, both romantically and in her other secular interests? That’s the story that plays out as she attempts to get in touch with her inner being. However, is she seeking to let her true self emerge, or is she succumbing to the wicked manipulations of Satan, as her family and fellow parishioners try to convince her? Independent Spirit Award-nominated writer-director Laurel Parmet’s debut feature deftly handles these themes, even if they seem a little predictable, familiar and stretched out at times. The picture’s surprisingly inconsistent cinematography sometimes hampers the flow of the narrative, too, with some scenes that are beautifully shot and others that are needlessly and almost indecipherably dark (atmosphere is one thing, but the patent mishandling of this element is something else entirely). Nevertheless, these shortcomings are aptly covered by the fine performances of the film’s stellar cast, especially Scanlan, Pullman, and Jimmi Simpson and Wrenn Schmidt as Jem’s dysfunctional parents. “The Starling Girl” may not be groundbreakingly original, but it reminds us of the importance of being ourselves, no matter what that might entail – and the cost that can come from failing to follow our hearts.
Wonderful. Almost perfect. A gripping and moving story, small and intimate in style, but colossal in impact. Great performances all round, particularly the searing one by Eliza Scanlen, whom I hadn't heard of before, but I'll be looking forward to seeing her in something else. Strange how it's often the movies I keep postponing for later because I think they'll be boring that end up being the most enthralling and entertaining.
Ema finds out she is pregnant with an unplanned child she's not sure she wants to keep, the same week her beloved grandmother becomes gravely ill. Spending her last days at her grandmother's side, Ema is forced to spend time with her estranged, larger than life mother, getting to know her and seeing her with new eyes. As she spends time with the people gathered around her grandmother in her last days; Ema re-evaluates her beliefs, her fears and her set ideas about family, love and parenthood.
A costume drama / satire about financial skull-duggery, and confidence tricksters in both the upper and lower classes in Victorian London. A working class man impersonates a lord who is supposedly very rich and a financial wizard. As such he is invited to all the best peoples' parties.
A shy teenager on a summer vacation experiences the joy and pain of young adulthood when he forges an unlikely bond with an older girl.
Bank manager Frank and writer Patrizia meet by coincidence again and again at the airport. They commute between Dusseldorf and Paris, but behind their travels are two fateful stories. Frank wants to complete the business of his life, Patrizia visits her lover, who is in a coma since a car accident. For both life comes out of joint and they each suffer heavy losses. What connects them is the search for hold, a listener, the need to be needed and the hope that there is a beginning in each end.
On the outside, Helen has it all – a loving family and a successful career – but when her suppressed mental illness resurfaces, the world crumbles around her. Crippled by depression, Helen finds solace through her friendship with Mathilda, a kindred spirit struggling with bipolar disorder.
Nackt is the story of three couples, one of which just broke up, one that seems to be about to and one perfectly okay. They are all friends and from time to time they gather to talk about everything.One time they gather for dinner at the second couple's "mansion" - the husband became rich with his business. We see each couple as they prepare themselves for the party and learn a lot about their relationships.At the dinner they get to talking about recognizing each other's peer with closed eyes and decide to try it (thus the title "Nackt"=naked in German).
Dolzura Cortez has had several men in her life. One returns to her as an AIDS researcher and unwittingly, Dolzura becomes his subject. He encouraged her to come out in public so she can dispel the social stigma that comes with the disease.
The retelling of France’s iconic but ill-fated queen, Marie Antoinette. From her betrothal and marriage to Louis XVI at 15 to her reign as queen at 19 and ultimately the fall of Versailles.
Starting his new job as an instructor at a New England school for the deaf, James Leeds meets Sarah Norman, a young deaf woman who works at the school as a member of the custodial staff. In spite of Sarah's withdrawn emotional state, a romance slowly develops between the pair.
Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
