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FULL SPOILER-FREE REVIEW @ https://thatshelf.com/the-starling-girl-review/ "The Starling Girl addresses the impact of religion on young women's lives, particularly tackling how sexuality, love, freedom, and personal identity relate to fundamentalist pedagogy. A solid directorial debut by Laurel Parmet, deeply exploring a self-discovery arc by a compelling protagonist who represents countless women taught and forced to hide and fear much of what defines them as human beings with feelings, desires, and dreams. An empowering, insightful story elevated by an underappreciated cast, including a career-best performance from Eliza Scanlen." Rating: B
What’s required to attain acceptance from others? That’s a tricky question, especially for those who are going through the coming of age process. It can be even more confounding for those who are part of a community that demands rigid conformity on an array of fronts. So it is for 17-year-old Jem Starling (Eliza Scanlen), a questioning young woman from a small Kentucky fundamentalist community. She wants to fit in, but she also endeavors to know herself, a quest that carries with it some puzzling yet innate contradictions, many of which are brought front and center when she begins to develop feelings for her married youth pastor (Lewis Pullman), a connection based on emotions that turn out to be mutual. But what is Jem to do – follow her heart or squelch the burgeoning passions surfacing within her, both romantically and in her other secular interests? That’s the story that plays out as she attempts to get in touch with her inner being. However, is she seeking to let her true self emerge, or is she succumbing to the wicked manipulations of Satan, as her family and fellow parishioners try to convince her? Independent Spirit Award-nominated writer-director Laurel Parmet’s debut feature deftly handles these themes, even if they seem a little predictable, familiar and stretched out at times. The picture’s surprisingly inconsistent cinematography sometimes hampers the flow of the narrative, too, with some scenes that are beautifully shot and others that are needlessly and almost indecipherably dark (atmosphere is one thing, but the patent mishandling of this element is something else entirely). Nevertheless, these shortcomings are aptly covered by the fine performances of the film’s stellar cast, especially Scanlan, Pullman, and Jimmi Simpson and Wrenn Schmidt as Jem’s dysfunctional parents. “The Starling Girl” may not be groundbreakingly original, but it reminds us of the importance of being ourselves, no matter what that might entail – and the cost that can come from failing to follow our hearts.
Wonderful. Almost perfect. A gripping and moving story, small and intimate in style, but colossal in impact. Great performances all round, particularly the searing one by Eliza Scanlen, whom I hadn't heard of before, but I'll be looking forward to seeing her in something else. Strange how it's often the movies I keep postponing for later because I think they'll be boring that end up being the most enthralling and entertaining.
Valeria is 17 and pregnant. She lives in Puerto Vallarta with Clara, her half sister. Valeria has not wanted her long-absent mother, April, to find out about her pregnancy, but due to the economic strain and the overwhelming responsibility of having a baby in the house, Clara decides to call their mother. April arrives, willing to her daughters, but we soon understand why Valeria had wanted her to stay away.
Shaina lives 600 years in the future. War, greed, prejudice, poverty, pollution, violence, loneliness, depression – these are things that she’s read about in history books. When an accident in a physics experiment sends her on a time-travel journey to our times, she assumes that everyone around her is honest, generous and caring, as she recruits the help that she needs to get back home.
A young woman is forced to reflect on her first relationship when she inadvertently moves into her ex boyfriend's apartment building.
Fifteen-year-old Cobain tries to get his pregnant mother Mia to quit her self-destructive lifestyle. When she refuses to clean up her act, Cobain takes over.
During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.
A young man turns from drug addiction and petty crime to a life redeemed by a discovery of compassion.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
An overworked career woman leaves her life in the city for an island vacation only to encounter eccentric local inhabitants.
On a quiet street in Helsinki, Sachie has opened a diner featuring rice balls. For a month she has no customers. Then, in short order, she has her first customer, meets Midori, a gangly Japanese tourist, and invites her to stay with her.
In a small town on the countryside, every young boy is forced to have the same bowl-head haircut known as the "Yoshino-gari" hairstyle. Then one day, a drastic change occurs when a transfer student with bleached hair comes from Tokyo.
In the wake of tragedy, a renowed New York dance company is on the brink of collapse. After leaving the dance world for good, Travis, Chrissa, and Max are pulled in to resurrect the dance that shattered their careers. They have one last chance to save the company, re-connect with the passion and magic, and prove that miracles really can happen.