Los pueblos dormidos (por la Quebrada de Humahuaca)

In the summer of 2000, federal fishery officers appeared to wage war on the Mi'gmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Alanis Obomsawin casts her nets into history to provide a context for the events on Miramichi Bay.

On the outskirts of Rio de Janeiro during its world famous Carnival, far from the beach and the touristic clichés, there is an explosive contest between neighbourhoods. This old form of carnival features teams of futuristic gladiators that are a surreal mixture of play and menace. A tradition that has its roots in ancient European carnival traditions and in African rituals, they look like visitors from another planet.

A young Navajo filmmaker investigates displacement of Indigenous people and devastation of the environment caused by the same chemical companies that have exploited the land where she was born. On this personal and political journey she learns from Indigenous activists across three continents.

The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.

INAATE/SE/ re-imagines an ancient Ojibway story, the Seven Fires Prophecy, which both predates and predicts first contact with Europeans. A kaleidoscopic experience blending documentary, narrative, and experimental forms, INAATE/SE/ transcends linear colonized history to explore how the prophecy resonates through the generations in their indigenous community within Michigan’s Upper Peninsula. With acute geographic specificity, and grand historical scope, the film fixes its lens between the sacred and the profane to pry open the construction of contemporary indigenous identity.

Poet Layli Long Soldier crafts a searing portrait of her Oyate’s connection to the Black Hills, through first contact and broken treaties to the promise of the Land Back movement, in this lyrical testament to resilience of a nation.

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Documents the conflicts and tensions that arise between highland migrants and Mosetenes, members of an indigenous community in the Bolivian Amazon. It focuses particularly on a system of debt peonage known locally as ‘habilito’. This system is used throughout the Bolivian lowlands, and much of the rest of the Amazon basin, to secure labor in remote areas.

From a historic genocide trial to the overthrow of a president, the sweeping story of mounting resistance played out in Guatemala’s recent history is told through the actions and perspectives of the majority indigenous Mayan population, who now stand poised to reimagine their society.

ARCTIC SUMMER is a poetic meditation on Tuktoyaktuk, an Indigenous community in the Arctic. The film captures Tuk during one of the last summers before climate change forced Tuk's coastal population to relocate to more habitable land.