Light is the first bodily form pays homage to the philosopher of light, Robert Grosseteste. The title is intended to be somewhat tongue-in-cheek since this video was made entirely in the dark, using only a circuit bent Webcam. No additional computer effects were added to the video. The music is the song “Rain Serenade” by Natural Snow Buildings.
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In Untitled (Pink Dot), Murata transforms footage from the Sylvester Stallone film First Blood (1982) into a morass of seething electronic abstraction. Subjected to Murata's meticulous digital reprocessing, the action scenes decompose and are subsumed into an almost palpable, cascading digital sludge, presided over by a hypnotically pulsating pink dot.
Movie Star Rating : 7.5 Read More
A compilation of avant-garde artwork and talent of the mid to late 20th century hosted by Ryuichi Sakamoto.
Movie Star Rating : 6.5 Read More
An inspiring 75min DIY documentary film on new art and the young artists behind it. It was all filmed on the heat of live action of the first NOVA Contemporary Culture Festival, July and August 2010 in São Paulo, Brazil.
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Pia Yona Massie's Sayonara Super 8 uses personal archival footage to ask questions about the fragile nature of memory, human relationships and the foibles of the medium itself.
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I Can’t Get Away is a three-channel black-and-white silent video. The video depicts 4 sequences: a figure perpetuating walking away; a figure bounded to an immobile tree; a figure running away from another figure, and vice versa. The performances of stages within the grieving process, different modes and processes to grapple with loss and the sensibilities that comes with mourning impermanence.
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A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
Movie Star Rating : 5.2 Read More
Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.
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Fellow violinist and artist Tony Conrad, in collaboration with software engineer Tom Demeyer, made for Steina the instrument seen in this title. Conrad and the Vasulkas all taught at the University at Buffalo in the Media Study Department from 1976 to 1979.
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A psychedelic essay on Goya's paintings, image and sound. The stippled ceiling acts as noise in the images.
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Made for Milton Keynes Gallery's 10th anniversary using images from its archive and language from its press releases and catalogues.
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