Profile

Pauline Kael

Pauline Kael was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries. Born : 19th-Jul-1919

Movie Credits

For the Love of Movies: The Story of American Film Criticism

The story of American film criticism.
Released : 1st-Mar-2009

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Ed & Pauline

ED & PAULINE is a portrait of the influential creative collaboration between Pauline Kael and Ed Landberg who through their visionary curation and film writing transformed a small storefront theater into a church for movie lovers.
Released : 1st-Jan-2014

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Clint Eastwood: The Last Legend

The portrait of the last cowboy Hollywood legend dives into the 65 years of an extraordinary career in Hollywood, highlighted iconic films like The Good, the Bad and the Ugly, as well as Million Dollar Baby, Mystic River and Gran Torino all the way to Cry Macho in 2021. It is no small task to cover more than 60 years of cinema history, especially when it is trying to surveyed with such breadth and diversity: TV star, international star, controversial icon, contested director, filmmaker with a capital F, Eastwood has been through it all, experienced it all, and it is first of all this romantic trajectory, this true American pastoral that the documentary wants to tell with all the passion it possibly can.
Released : 13th-Nov-2022

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What She Said: The Art of Pauline Kael

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.
Released : 22nd-Mar-2019

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Big Joy: The Adventures of James Broughton

A chronicle of the iconoclastic life of gay poet, filmmaker, and spiritual visionary James Broughton, one of the defining voices of the sexual revolution, whose groundbreaking artistic celebrations of sexuality and the body influenced generations of the 1960s and '70s to profoundly embrace life and ‘follow your own weird’.
Released : 9th-Mar-2013

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The Man with No Name

Profile of Clint Eastwood.
Released : 23rd-Feb-1977

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Faye

Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
Released : 15th-May-2024

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The Magical Eye

Features clips from 21 documentary and animation film classics, interviews with NFB filmmakers past and present, and incisive commentary from film critics and historians on the role and influence of the NFB during its first half century of existence.
Released : 1st-Jan-1989

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Life Itself

The surprising and entertaining life of renowned film critic and social commentator Roger Ebert (1942-2013): his early days as a freewheeling bachelor and Pulitzer Prize winner, his famously contentious partnership with Gene Siskel, his life-altering marriage, and his brave and transcendent battle with cancer.
Released : 4th-Jul-2014

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TV Credits

PBS News Hour

Self - Movie Critic, The New Yorker - America's first and longest running hour-long nightly news broadcast known for its in-depth coverage of issues and current events.
Released : 20th-Oct-1975

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