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Bradley Beesley

Bradley Beesley is an American independent film and video director, producer and cinematographer. He has long been associated with the alternative music band, The Flaming Lips. Beesley first worked with The Flaming Lips filming some promotional videos for the band's album Hit to Death in the Future Head.  Most of Beesley's video work with the band is included on the VOID video retrospective. Aside from his work with The Flaming Lips, Beesley has directed a number of award-winning documentaries. His first was 1999's "Hill Stomp Hollar", a one-hour film about the Fat Possum record label and many of the blues artists, particularly R. L. Burnside. Beesley's next film Okie Noodling (2001) focused on the unusual practice of catching catfish using only the bare hand as bait. It featured an original soundtrack by The Flaming Lips and won the Audience Choice Award and was runner-up for Best Documentary at the 2001 South by Southwest film festival. In 2005, Beesley released the documentary The Fearless Freaks: The Wondrously Improbable Story of The Flaming Lips. Critics said the film offered an unusually personal and intimate view into the band. The Flaming Lips also provided the soundtrack for the documentary that Beesley produced and co-directed, Summercamp!, which opened July 18, 2007. Full list of TV and Movie credits for Bradley Beesley, licensed under CC-BY-SA,full list of contributors on Wikipedia. Born : Unknown

Movie Credits

The Fearless Freaks

Equal parts punk and psychedelia, the Flaming Lips emerged from Oklahoma City as one of the most bracing bands of the late 1980s. The Fearless Freaks documents their rise from Butthole Surfers-imitating noisemakers to grand poobahs of orchestral pop masterpieces. Filmmaker Bradley Beesely had the good fortune of living in the same neighborhood as lead Lip Wayne Coyne, who quickly enlisted his buddy to document his band's many concerts and assorted exploits. The early footage is a riot, with tragic hair styles on proud display as the boys attempt to cover up their lack of natural talent with sheer volume. During one show, they even have a friend bring a motorcycle on stage, which is then miked for sound and revved throughout the performance, clearing the club with toxic levels of carbon monoxide. Great punk rock stuff. Interspersed among the live bits are interviews with the band's family and friends, revealing the often tragic circumstances of their childhoods and early career.
Released : 25th-May-2005

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