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Sabotage

Mauro Mateus dos Santos (April 3, 1973 – January 24, 2003), better known by his stage name Sabotage, was a Brazilian rapper, singer, songwriter and actor. Mauro, father of 2 children, was born in the South Zone of São Paulo, where, after having been a robber and traffic manager, he found his way out in rap, entering music and realizing his true gift. The origin of the nickname Sabotage was due to being always able to circumvent the laws with tremendous success, such as entering balls, parties and nightclubs without permissions, and coming out unscathed from countless confusions. Considered a legend in the South Zone, he inspired several rappers, such as Rhossi, Pavilhão 9, in addition to having taught Paulo Miklos how to be a worthy trickster, in the film "O Invasor", by Beto Brant, with whom he even wrote a song. Born : 3rd-Apr-1973

Movie Credits

Carandiru

When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
Released : 21st-Mar-2003

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The Trespasser

Two businessmen hire a hitman to kill their third partner and are then blackmailed by the hitman as he takes over their company.
Released : 24th-Nov-2001

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Candango: Memoirs from a Festival

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.
Released : 22nd-Oct-2020

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Sabotage: Maestro do Canão

Mauro Mateus dos Santos was known by another name: Sabotage. Growing up amidst poverty in São Paulo, the musician, who became a legend after his death, is one of the most important names in national rap.
Released : 23rd-Jan-2015

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Favela no Ar

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.
Released : 1st-Jan-2002

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